Bruckner: Symphony No. 9

Release Date: 14th Nov 2011
Catalogue No: C838112B
Label: Orfeo
Series: Orfeo d'Or, Salzburger Festspieldokumente
Length: 97 minutes

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Schubert: Die Zauberharfe (The Magic Harp), D 644

Work length11:26

$3.00

$3.60

Berliner Philharmoniker
Joseph Keilberth

Die Zauberharfe, D. 644: Overture (Live)

Track length11:26

$3.00

$3.60

Berg: Violin Concerto 'To the Memory of an Angel' (1935)

Work length25:49

$7.00

$8.40

Christian Ferras (violin)
Berliner Philharmoniker
Joseph Keilberth
Recorded: 17 August 1960
Recording Venue: Live recording, Salzburg Festival, Austria

Violin Concerto: Ia. Andante - Ib. Scherzo (Live)

Track length10:43

$3.00

$3.60

Violin Concerto: IIa. Allegro - IIb. Adagio (Live)

Track length15:06

$4.00

$4.80

Bruckner: Symphony No. 9 in D Minor

Work length1:00:21

Album only

Berliner Philharmoniker
Joseph Keilberth
Recorded: 17 August 1960
Recording Venue: Live recording, Salzburg Festival, Austria

Symphony No. 9 in D Minor, WAB 109: I. Feierlich, misterioso (Live)

Track length24:26

Album only

Symphony No. 9 in D Minor, WAB 109: II. Scherzo. Bewegt, lebhaft (Live)

Track length11:08

$3.00

$3.60

Symphony No. 9 in D Minor, WAB 109: III. Adagio. Langsam feierlich (Live)

Track length24:47

Album only

About
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About

Among the conductors who returned repeatedly to Salzburg from 1957 was Joseph Keilberth, and if he did not appear even more frequently at the Festival, this was no doubt due first and foremost to his workload, which included not only Salzburg but also the Bayreuth and the Munich Opera Festivals. But whenever he had a gap in his schedule, Salzburg, too, could look forward to an undoubted high point in its calendar, as was the case in 1960, when Keilberth appeared with the Berlin Philharmonic for a musically varied programme made up entirely of works by Austrian composers.

The concert’s fleet-footed opening took the form of Schubert’s so-called 'Rosamunde' Overture (actually the overture to the opera 'Die Zauberharfe' D 644), which was followed by Berg’s Violin Concerto ('In Memory of an Angel'), not a work that one typically associates with Keilberth, but his reading of the piece with the young soloist Christian Ferras makes it clear that he found Berg’s music eminently accessible, making it all the more regrettable that at the time of his premature death in 1968 he was still hesitating to take Wozzeck into his repertory. He was on more familiar ground with Bruckner’s Ninth Symphony, which brought his 1960 Salzburg Festival concert to an end in a particularly festive and musically distinguished way.

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