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Handel Edition Volume 3 - Tamerlano, L'Allegro ed il Penseroso, etc.
Derek Lee Ragin (Tamerlano), Nigel Robson (Bajazet), Nancy Argenta (Asteria), Michael Chance (Andronico), Jane Findlay (Irene), René Schirrer (Leone)
English Baroque Soloists & Monteverdi Choir, John Eliot Gardiner
Awards:
-
Gramophone Awards, 1980, Winner - Choral
Taking Milton as his starting point, Handel illustrated in music the contrasts of mood and character between the cheerful and the thoughtful. Then, prompted by his librettist, Charles Jennens,...
Handel Edition Volume 3 - Tamerlano, L'Allegro ed il Penseroso, etc.
Derek Lee Ragin (Tamerlano), Nigel Robson (Bajazet), Nancy Argenta (Asteria), Michael Chance (Andronico), Jane Findlay (Irene), René Schirrer (Leone)
English Baroque Soloists & Monteverdi Choir, John Eliot Gardiner
Purchase product
Awards:
-
Gramophone Awards, 1980, Winner - Choral
Taking Milton as his starting point, Handel illustrated in music the contrasts of mood and character between the cheerful and the thoughtful. Then, prompted by his librettist, Charles Jennens,...
About
Contents and tracklist
- Martyn Hill (tenor), Patrizia Kwella (soprano), Marie McLaughlin (soprano), Jennifer Smith (soprano), Maldwyn Davies (tenor), Michael Ginn (soprano), Stephen Varcoe (bass), Michael Ginn (countertenor)
- Monteverdi Choir, English Baroque Soloists
- Sir John Eliot Gardiner
"May at last my weary age" (J. Smith) - "These pleasures, Melancholy, give" (Soprano I, Chorus)
Track length9:39
- Michael Chance (countertenor), Nigel Robson (tenor), Derek Lee Ragin (countertenor), Nancy Argenta (soprano), Jane Findlay (soprano), René Schirrer (baritone)
- English Baroque Soloists
- Sir John Eliot Gardiner
Act 2 "Ecco il cor, sarò contenta" "Voglio stragi, voglio sangue" "Ecco il petto, non mi paventa" [Asteria, Tamerlano, Bajazet]
Track length1:29
Act 3 "Padre, amante" [Asteria] "Folle sei" [Asteria] "Beva dunque la rea" [Asteria, Andronico, Bajazet, Tamerlano]
Track length3:22
Act 3 "Oh per me lieto" [Bajazet, Tamerlano] ... "Sù, via, furie, e ministre" [Bajazet]
Track length8:45
Act 3 "Barbaro! al fin sei sazio ancor?" [Andronico, Asteria] "Mirami, io quella son che già due volte" [Asteria]
Track length1:11
Act 3 Entrée des songes agréables et effrayés - Combat des songes funestes et agréables
Track length2:03
Awards and reviews
Taking Milton as his starting point, Handel illustrated in music the contrasts of mood and character between the cheerful and the thoughtful. Then, prompted by his librettist, Charles Jennens, he added compromise in Il Moderato, the moderate man. The sequence of brief numbers is a delight, particularly in a performance as exhilarating as Gardiner’s, with excellent soloists, choir and orchestra. The recording is first rate.
