Avie
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There is a surprisingly striking contrast between its crystalline voicing, clear articulation and warm tone that makes the listener feel that it is concerned with the plain and simple beauty... —
Awards:
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Gramophone Magazine, June 2016, Editor's Choice
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This is a disc to treasure. Should the Concert champêtre be performed on the piano? Poulenc said no, but did it often. Bollani's lightly pedalled sound is, for me, utterly convincing and... —
Awards:
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BBC Music Magazine, November 2007, Orchestral Choice
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Special offer. Ives: Piano Sonata No. 2 'concord, Mass., 1840-1860', the St. Gaudens ('black March')
Donald Berman (piano)
Occasionally we encounter a pianist who has such a strong connection to a particular composer that their playing is significantly better informed – and more emotionally compelling – than their... —
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Croisé’s tone is warm and free, while pianist Shevchenko matches him with beautiful fluidity. A joy. —
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These are, in short, fresh, spontaneous, original readings that shed new light on the keyboard player's Bible. —
Awards:
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BBC Music Magazine, February 2014, Instrumental Choice
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The Gate of Glory: Music from the Eton Choirbook Vol. 5
The Choir of Christ Church Cathedral Oxford, Stephen Darlington
This series now surpasses The Sixteen’s as the largest discographic survey ever devoted to the Eton Choirbook…The approach is more relaxed…Occasionally the contrapuntal details aren’t quite... —
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Mozart - Flute Quartets
Lisa Beznosiuk (flute), Pavlo Beznosiuk (violin), Tom Dunn (viola) & Richard Tunnicliffe (cello)
