Pan Classics
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Filippo Mineccia is a visceral performer for whom dramatic characterisation seems to be paramount, while the range of musical moods provides some scope for versatile and astute musicianship…the... —
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Special offer. Handel: Alessandro, HWV21
Lawrence Zazzo (Alessandro), Yetzabel Arias Fernández (Rossane), Raffaella Milanesi (Lisaura), Martin Oro (Tassile), Andrew Finden (Clito), Sebastian Kohlhepp (Leonato) & Rebecca Raffell (Cleone)
Deutsche Händel-Solisten, Michael Form
[Zazzo's] handling of the title-role, though sometimes underpowered, is expressive and technically secure...Fernandez is undoubtedly the star of the show. Her arias...are delivered with virtuosity. —
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Caldara - Cantate e Sonate
Monique Zanetti (soprano), Pascal Bertin (controtenore)
Fons Musicae, Yasunori Imamura
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Höffler: Suites for Viola da gamba
Guido Belastracci (division bass viol), Nicola Dal Maso (violin), Rafael Bonavita (archlute), Massimiliano Raschietti (organ/harpsichord)
Their mix of flamboyance, lyricism and expert counterpoint suggest a well-practised compositional hand. Balestracci plays with flair and a sonorous timbre. —
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'Live happily' was Scarlatti's parting shot in the preface to his Essercizi per gravicembalo. Ares takes him at his word - lyrical as well as propulsive, he nails the music's Iberian soul. —
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A no-holds-barred account of this eight-sonata set, together with the Sonata Representativa. Letzbar meets Biber's technical demands masterfully. —
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For sensitivity to Gesualdo's recherché methods, few can beat Alan Curtis. He shapes the composer's most awkward moves into sensual gestures. The precocious technique of his musicians astonishes. —
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Forqueray: Pieces de viole
Lorenz Duftschmid (bass viol), Thomas Boysen (baroque guitar), Johannes Hammerle (harpsichord), Christoph Urbanetz (bass viol)
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