Choral, Masses, Bruckner (composer)
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Brahms & Bruckner: Motets
RecommendedMark Templeton (trombone), Helen Vollam (trombone), Patrick Jackman (trombone), Alexander Mason (organ)
Tenebrae, Nigel Short
Nigel Short and Tenebrae have come up with a beautifully balanced and contrasted programme…The beauty of sound and dignified expression of intensity that Tenebrae create in the opening of the... —
Awards:
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BBC Music Magazine, Disc of the month
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Presto Recordings of the Year, Finalist 2015
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BBC Music Magazine Awards, 2016, Choral Winner
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Building a Library, December 2017, First Choice
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Building a Library, December 2017, First Choice
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Bruckner - Masses 1-3
RecommendedEdith Mathis, Marga Schiml, Wieslaw Ochman, Karl Ridderbusch, Maria Stader, Claudia Hellman, Ernst Haefliger, Kim Borg
Bavarian Radio Chorus & Symphony Orchestra, Eugen Jochum
Like Bruckner, Eugen Jochum came from a devout Catholic family and began his musical life as a church organist. He would have known the Mass texts more or less inside out, which explains why... —
Awards:
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Gramophone Magazine, July 2026, 100 Greatest Recordings
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Building a Library, February 2002, First Choice
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Penguin Guide, Rosette
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Bruckner: Masses Nos 1-3
RecommendedEdith Mathis, Marga Schiml, Wieslaw Ochman, Karl Ridderbusch, Maria Stader, Claudia Hellman, Ernst Haefliger, Kim Borg
Bavarian Radio Chorus & Bavarian Radio Symphony Orchestra, Eugen Jochum
Like Bruckner, Eugen Jochum came from a devout Catholic family and began his musical life as a church organist. He would have known the Mass texts more or less inside out, which explains why... —
Awards:
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Building a Library, February 2002, First Choice
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Penguin Guide, Rosette
Purchase product
Downloads
Audio formats guide -
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Special offer. Bruckner - Mass in D minor & Te Deum
Joan Rodgers (soprano), Catherine Wyn-Rogers (alto), Keith Lewis (tenor), Alastair Miles (bass) & James O' Donnell (organ)
Corydon Singers & Corydon Orchestra, Matthew Best
Highest honours must go to the outstanding 140-voice chorus who sing with earth-shattering conviction, utmost clarity of diction and enviable precision of ensemble and intonation … the combined... —
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Original price ($12.75) Reduced price $6.37Maximum 1 purchase per customerClearance prices not guaranteed until checkout is completed -
Of the 'chamber-like' versions of this Mass, Polyphony trumps all others for beauty of tone. At the end of the Agnus, where the sopranos don't have bulk, they gleam. In the Benedictus, too,... —
Awards:
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Gramophone Magazine, November 2007, Editor's Choice
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Building a Library, December 2017, Also Recommended
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Audio formats guide -
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Special offer. Bruckner: Mass in E minor & Stravinsky: Mass
Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gijs Leenaars
From the standpoint of execution, I can’t fault these performances. The chorus sings superbly and the orchestra under Leenaars adjusts its manner of articulation and tonal ambiance for appropriate... —
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Special offer. Bruckner: Mass in F minor & Psalm 150
Judith Booth (soprano), Jean Rigby (mezzo soprano), John Mark Ainsley (tenor) & Gwynne Howell (bass)
Corydon Singers & Corydon Orchestra, Matthew Best
Hyperion clearly have another hit on their hands with this splendid release —
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CD
Original price ($12.75) Reduced price $6.37Maximum 1 purchase per customerClearance prices not guaranteed until checkout is completed -
Bruckner: Te Deum & Mass No. 3 in F Minor
Christina Landshamer (soprano), Sophie Harmsen, Daniel Behle (tenor), Franz-Josef Selig (bass), Erika Baikoff, Wiebke Lehmkuhl, Sebastian Kohlhepp, Matthew Rose (bass), SWR Vokalensemble, WDR Rundfunkchor, SWR Symphonieorchester, Pablo Heras-Casado
This new version [of the Mass] by Pablo Heras-Casado features fine singing by the two radio choirs and four soloists. In particular, soprano Erika Baikoff impresses with her purity of tone and... —
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Bruckner: Requiem
Joan Rodgers (soprano), Catherine Denley (contralto), Maldwyn Davies (tenor), Michael George (bass), Thomas Trotter (organ)
Corydon Singers, English Chamber Orchestra, Matthew Best
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The award-winning group Voces 8 is well-known for its wide-ranging programmes and accomplished technical control...In Monteverdi's Cantate Dominum (this is his 1620 setting, not the 1615 one)... —
