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Bruckner: Missa Solemnis

Johanna Winkel (soprano), Sophie Harmsen (mezzo), Sebastian Kohlhepp (tenor), Ludwig Mittelhammer (baritone)

Akademie für Alte Musik Berlin, RIAS Kammerchor, Łukasz Borowicz

Bruckner: Missa Solemnis

Awards:

A fascinating glimpse of another side to the composer which is made all the more intriguing in these exemplary performances.

Bruckner: Missa Solemnis

Johanna Winkel (soprano), Sophie Harmsen (mezzo), Sebastian Kohlhepp (tenor), Ludwig Mittelhammer (baritone)

Akademie für Alte Musik Berlin, RIAS Kammerchor, Łukasz Borowicz

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Awards:

A fascinating glimpse of another side to the composer which is made all the more intriguing in these exemplary performances.

About

Anyone familiar with Bruckner, his symphonic architectures reaching for the stars as well as his later Missas from the 1860s, may well be amazed at how deep his Missa Solemnis is still rooted in the solid tradition of Viennese Classicism. In this recording, this rarely heard and recently re-edited and newly published gem is put into the context of the inauguration service of collegiate provost Friedrich Mayr on 14 September 1854 in St. Florian, for which it was written. It is interspersed with the original Proper settings by Robert Führer, Joseph Eybler, and Johann Baptist Gänsbacher. Recorded at the Konzerthaus Berlin in June 2017. A co-produktion with Deutschlandfunk Kultur.

Contents and tracklist

Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): I. Kyrie
Track length2:53
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): IIa. Gloria. Gloria in excelsis Deo
Track length2:15
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): IIb. Gloria. Qui tollis peccata mundi
Track length2:37
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): IIc. Gloria. Quoniam tu solus sanctus
Track length0:44
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): IId. Gloria. In gloria Dei Patris
Track length2:03
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): IIIa. Credo. Credo in unum Deum
Track length1:30
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): IIIb. Credo. Et incarnatus est
Track length1:25
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): IIIc. Credo. Crucifixus etiam pro nobis
Track length1:55
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): IIId. Credo. Et resurrexit tertia die
Track length3:17
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): IIIe. Credo. Et vitam venturi saeculi
Track length2:05
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): IVa. Sanctus. Sanctus Dominus Deus Sabaoth
Track length1:54
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): IVb. Sanctus. Benedictus
Track length2:49
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): Va. Agnus Dei. Agnus Dei
Track length2:53
Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs): Vb. Agnus Dei. Dona nobis pacem
Track length1:59
Te Deum, Op. 45: I. Te Deum laudamus
Track length2:07
Te Deum, Op. 45: II. Te ergo quaesumus
Track length0:52
Te Deum, Op. 45: III. Per singulos dies
Track length1:15

Awards and reviews

  • Diapason d’Or
    April 2018
    Nouveauté

December 2018

A fascinating glimpse of another side to the composer which is made all the more intriguing in these exemplary performances.

19th May

The Tantum Ergo and Magnificat in B-flat recall Schubert, the music's lightness and transparency enhanced by the performances: the Akademie für Alte Musik Berlin’s period sensibilities the perfect foil for a lithe RIAS Kammerchor under Łukasz Borowicz. The three rarer items fit into the sequence nicely, with Gänsbacher’s breezily affirmative Te Deum a highlight.
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