Orchestral, Bach, J C (composer)
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Special offer. The English Orpheus 39 - English Classical Clarinet Concertos
Colin Lawson (clarinet, basset horn)
The Parley of Instruments, Peter Holman (director)
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Mozart in London
RecommendedAna Maria Labin (soprano), Helen Sherman (mezzo), Ben Johnson (tenor), Anna Devin (soprano), Rebecca Bottone (soprano), Robert Murray (tenor), Martene Grimson (soprano), Eleanor Dennis (soprano)
The Mozartists, Ian Page
Bold yet highly sensitive, Page and his musicians show what makes this musicians show what makes this music great. Page draws on a deep bench of vocal talent; of his eight soloists, Rebecca... —
Awards:
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Presto Editor's Choice, May 2018
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Gramophone Magazine, July 2018, Recording of the Month
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Presto Recordings of the Year, Finalist 2018
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The fierce agitation of the outer movements of Haydn’s Symphony No. 39 certainly exemplify such qualities [Sturm und Drang], just as the dynamic sweep and hair-trigger precision of Ian Page’s... —
Awards:
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Gramophone Magazine, November 2020, Editor's Choice
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Van Mechelen pays fitting tribute to Legros, focusing on tasteful lyricism and beauty rather than on virtuosic display...He is at his best as the pastoral lover, when the luminous timbre of... —
Awards:
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International Classical Music Awards, 2024, Nominated - Vocal Music
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International Opera Awards, 2024, Shortlisted - Recording (Solo Recital)
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Special offer. JC Bach: 6 Sinfonias & 6 Piano Concertos
Ingrid Haebler (fortepiano)
Academy of St. Martin in the Fields, Capella Academica Wien, Sir Neville Marriner, Eduard Melkus
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This is the set of Opus 18 we've been waiting for...This is natural music-making from people who seem to live this kind of music. —
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La Folle Journée 2025 - Villes Phares
Nuria Rial (soprano), Ricercar Consort (early music ensemble), Carlos Mena, Hanna Salzenstein (cello), Théotime Langlois de Swarte (violin), Thibaut Roussel, Giovanna Pessi, Pierre Hantaï (early keyboard instruments), Julie Hassler, La Rêveuse, Les Ombres, Maria Keohane (soprano), Shani Diluka (piano),...
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The performers have a great sympathy with J.C.Bach's idiom. —