CD, Rore (composer)
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the music here is exceptionally varied, often florid and requiring no little agility. Its not insubstantial challenges are masterfully met by the admirable Brabant Ensemble. —
Awards:
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Gramophone Magazine, January 2025, Editor's Choice
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Gramophone Awards, 2025 Shortlist, Early Music
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Missa Domine a lingua dolosa is based on Padovano’s motet written in the unusual yet expressive Aeolian mode. It’s a low, mellow setting, which clearly inspires the singers of Cinquecento. —
Awards:
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Gramophone Magazine, June 2024, Editor's Choice
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International Classical Music Awards, 2025, Nominated - Early Music
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On the page [Willaert's writing] looks almost suffocatingly opaque, but that's where Cinquecento comes in. Right from the off, they seize on this quality and make it work in their favour. It's... —
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The Brabant Ensemble is very experienced in this type of repertory, and achieves some magical effects in the Doulce memoire Mass...Of the motets O altitudino divitiarum is a truly outstanding... —
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Awards:
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Opus Klassik Awards, 2019, Winner - Choral
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International Classical Music Awards, 2020, Nominee - Early Music
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This third instalment in Capella de la Torre’s series of the four elements is every bit as fresh and thoughtful as one would expect from one of Europe’s leading early wind ensembles...This enjoyable... —
Awards:
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Opus Klassik Awards, 2020, Nominee - Instrumentalist of the Year
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The singers of Les Cris de Paris are here combined in different arrangements throughout the album, to produce a richly resonant sound with a strong bass and bright, clear upper textures. —
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O dolce nocte
Korneel Van Neste (vocalist), Rosalyn Stuerzer (soprano), André Pérez Muíño (tenor), Andrés Soler Castaño (bass-baritone), Pauline Delannoy (soprano), Paradise Repaired, Delle Donne Consort, Rosalyn Stürzer
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Special offer. Cipriano de Rore: Ancor che col partire
Ricercar 35th anniversary release
Marie Bournisien (harp), Mariana Flores (soprano), Paulin Bündgen (counter-tenor), Bernard Foccroulle (organ), Miguel Henry (lute), Jean Tubéry (cornet), Juliette Perret (soprano), Jean Tubéry (recorder)
Cappella Mediterranea, Clematis, L'Achéron, Vox Luminis, Doulce Mémoire, Chœur de Chambre...
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Exaudi really are one of the best-situated ensembles to sing this repertoire. They're known for combining madrigalian mood swings with eye-wateringly accurate tuning. —
Awards:
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The Guardian Classical Albums of the Year, 2025
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