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CD, Porpora (composer)
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His technical strengths emerge clearly in the way in which he negotiates the switchback turns of Vivaldi’s ‘Cada pur sul capo’ (from Artabano), the cascading melodies of Porpora’s ‘Nocchier,... —
Awards:
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Presto Editor's Choice, April 2023
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Gramophone Magazine, May 2023, Editor's Choice
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Gramophone Awards, 2023 Finalists, Finalist - Voice & Ensemble
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Presto Recordings of the Year, Finalist 2023
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International Classical Music Awards, 2024, Nominated - Vocal Music
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Gramophone Magazine, Critics' Choice 2023
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Among the disc’s many highlights are the virtuoso cello concertos by Cirri and Porpora which showcase Gaillard’s athletic technique as well as her extraordinary ability to make the cello sing. —
Awards:
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Presto Editor's Choice, March 2022
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BBC Music Magazine Awards, 2023, Nominated - Concerto
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Opus Klassik Awards, 2023, Nominated - Solo Instrumental
Purchase product
CD
$20.25 -
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Vivaldi's 'Armatae face et anguibus' from Juditha Triumphans raises the curtain at a furious lick. Viotti's mezzo tears thrillingly through the coloratura while knife-edged orchestral playing... —
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Jaroussky comes into his own in Vivaldi's Cessate, omai cessate (1735), especially in the fiery vengeance of the final aria 'Nell' orrido albergo'...[He] delivers spectacular coloraturas in... —
Awards:
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Presto Recording of the Week, 24th October 2025
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Invocazioni Mariane
RecommendedAndreas Scholl (countertenor), Accademia Bizantina, Alessandro Tampieri
The only relatively familiar piece is Vivaldi’s Stabat mater...In the other pieces, Scholl sings with a grave beauty, with impeccable intonation and no changes of gear. —
Awards:
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Presto Recordings of the Year, Finalists 2024
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International Classical Music Awards, 2025, Nominated - Baroque Vocal
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Baroque Gender Stories
Vivica Genaux (mezzo-soprano), Lawrence Zazzo (countertenor)
Lautten Compagney, Wolfgang Katschner
Wolfgang Katschner and Lautten Compagney provide lean, skilfully balanced and astute theatrical support. Clever artistic programming means that each half starts with a striking overture and... —
Awards:
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Presto Editor's Choice, June 2019
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Stutzmann’s deep burgundy contralto, like a freakishly rich, wide-ranging countertenor, is the perfect fit for this repertoire...[Her] characterisation and vocal colouring are always true and... —
Awards:
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Gramophone Magazine, March 2021, Editor's Choice
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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This terrific sequel to A Night in London is every bit as varied and vivid as its predecessor, presenting a compelling portrait of Baroque Naples in all its eclectic glory: stomping tarantellas... —
Awards:
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Presto Editor's Choice, October 2023
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Pergolesi: Stabat Mater
Sandrine Piau (soprano), Christopher Lowrey (countertenor), Les Talens Lyriques, Christophe Rousset
Piau finds just the right balance between beauty of sound and fervent expressivity…[Lowrey] combines lucid diction with an aptly plangent sound – always beautifully controlled. Though they’re... —
Awards:
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Record Review, 11th April 2020, Record of the Week
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BBC Music Magazine, June 2020, Choral & Song Choice
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Les 3 Contre-Tenors: Le Concours de Virtuosite Des Castrats
Samuel Mariño, Filippo Mineccia, Valer Sabadus, Orchestre de l'Opéra Royal, Stefan Plewniak