Gawain Glenton
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Western Wind
RecommendedMusic By John Taverner & Court Music For Henry VIII
Emily Van Evera (soprano), Charles Daniels (tenor)
Taverner Choir & Players, Andrew Parrott
The Western Wynde Mass nicely contrasts with The Tallis Scholars’ recording, being incisive and brisk where Peter Phillips’s reading is smoother and more leisurely. Parrott is perhaps more persuasive... —
Awards:
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Gramophone Magazine, May 2016, Editor's Choice
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Presto Recordings of the Year, Finalist 2016
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Gramophone Awards, 2016, Winner - Early Music
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Adriatic Voyage: Seventeenth-Century Music from Venice to Dalmatia
RecommendedThe Illyria Consort (early music ensemble), Bojan Čičić (violin), Marian Consort (leadvocalist), Rory McCleery, Gawain Glenton
Throughout, singers and instrumentalists breathe and communicate as one, their rapport unbreakable. A recording, in short, packed with fresh discoveries at every turn; and a vivid snapshot of... —
Awards:
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Presto Editor's Choice, September 2021
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Presto Recordings of the Year, Winner 2021
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In variation-based pieces, cornetist Glenton, keyboardist Silas Wollston and violinist Bojan Cicic pull material out of nowhere, like magicians…Keeling’s four-movement Northern Soul redeems... —
Awards:
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Presto Recordings of the Year, Finalist 2018
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Les Fantaisies de Josquin
The Instrumental Music of Josquin Desprez
Ensemble Leones: Raitis Grigalis (baritone), Baptiste Romain (violin, vielle), Elizabeth Rumsey (viola d’arco, viola da gamba), Uri Smilansky (viola d’arco), Kirsty Whatley (harp), Gawain Glenton (cornetto) & Marc Lewon (Renaissance lute, gittern, viola d’arco, direction)
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Glenton’s own diminutions are gently and lightly patted into the larger musical line. And together with Wollston’s calm, the whole thing sways like a dance made of chiffon. —
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Chamber Vespers
Miniature Masterpieces of the Italian Baroque
Clare Wilkinson (mezzo-soprano) & Gawain Glenton (cornett)
The Gonzaga Band
even with just two or three musicians, the sound they create is often remarkably opulent. Savan and company have a seemingly instinctive feel for this repertoire, their persuasive performances... —
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