There are some excellent things on this disc: full rein given to the ballet’s explosive side, often underplayed; as part of that, the wide range observed in crescendo markings, the underplaying... — BBC Music Magazine, July 2017, More…

How can one resist the combination of Marianne Crebassa’s attractive voice and a selection of French song, especially Debussy’s Chansons de Bilitis and three Veraline songs? As for Ravel’s Shéhérazade,... — BBC Music Magazine, January 2018, More…

The prevailing mood of the first two thirds of the disc is one of heady sensuality, rooted in careful appraisal of sonority and texture and in a fondness for, and an ability to sustain, slower... — Gramophone Magazine, November 2018 More…

Brimming with personality, individuality and panache; in fact sometimes so much personality that a quick glance at the score is in order, simply to establish exactly what the ratio of Kopatchinskaja... — Gramophone Magazine, February 2018 More…

In advance, I wondered whether there was anything new to be said about these two incessantly recorded works. Happily the answer is 'yes'. Nor is it due to anything imposed - the novelty comes... — BBC Music Magazine, September 2018, More…

The outer movements are so deliciously light, like the most perfect soufflé, executed with disarming insouciance by pianist and orchestra alike...You could not wish for a more atmospheric account... — Gramophone Magazine, November 2015 More…

The instruments gathered by Les Siècles bring a delicious transparency, so that there is both greater distinctiveness in the instrumental colours and a more satisfying blend than tends to be... — BBC Music Magazine, June 2018, More…

This potpourri of a recital is...very much of its own time, eclectically flavoured in its collaborative elements and juxtaposition of music languages [sic], and deftly underpinned by Balsom's... — Gramophone Magazine, November 2014 More…

Full of colour, both Osborne’s poetry and his exceptional touch are to the fore, the sparkling cascades in the final movement being especially breathtaking…strong performances of a programme... — BBC Music Magazine, June 2017, More…

Steeped in the French piano tradition and with formidable facility, Bertrand Chamayou is certainly not tripped up by the finger-bending virtuosity of Miroirs or Gaspard, while conveying the cut-glass... — BBC Music Magazine, May 2016, More…