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Browse: Gramophone Awards, Gluck (composer)
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Joyce DiDonato: Diva, Divo
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Joyce DiDonato (mezzo)
Orchestre et Choeur de L'Opéra National De Lyon, Kazuko Ono
Proof of DiDonato's consummate musicianship is everywhere here...For sheer beauty of tone, legato that defies gravity and singing that restores your faith in human nature, listen last of all... — More…
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Offer, Arias for Guadagni
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the first modern castrato
Iestyn Davies (countertenor)
Arcangelo, Jonathan Cohen
Through his effortless line, countertenor Iestyn Davies revivifies Guadagni's Orphic powers...Whether drawing out sustained notes or knitting together filigreed coloratura, he is a paragon of... — More…
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CD
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Gluck: Italian Arias
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Cecilia Bartoli (mezzo)
Akademie für Alte Musik Berlin, Bernhard Forck
on this disc Cecilia Bartoli makes clear that Gluck was a formidable musical dramatist even in his early, pre-'reform' works...This CD, in short, is a tour de force of dramatic singing, in the... — More…
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CD
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Véronique Gens: Tragediennes 1 (French Operatic Tragedies)
Véronique Gens (soprano)
Ensemble les Talens Lyrique, Christophe Rousset
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Che puro ciel
The Rise of Classical Opera
Bejun Mehta (counter-tenor)
Akademie für Alte Musik Berlin, René Jacobs
Jacobs and Bejun Mehta unleash the primal energies buried in magnificent yet largely forgotten operas...Jacobs's abrupt tempo twists, the instrumentalists' boldness and the chorus's power make... — More…
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Semiramide - La Signora Regale
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Arias & Scenes from Porpora to Rossini
Anna Bonitatibus (mezzo-soprano)
Accademia degli Astrusi, Federico Ferri
There is much coloratura and here, as elsewhere, Anna Bonitatibus is spot-on...This set, sumptuously illustrated, is an absolute must-have. — More…
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The Record of Singing – The Very Best of Volumes 1-4
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From 1899 to the end of the 78 era: 1899-1952
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French Opera Arias
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Roberto Alagna (tenor)
Orchestra of the Royal Opera House, London Voices, Bertrand de Billy
This is an interestingly put together recital which manages to illuminate much of the tenor repertoire in 19th century French opera (and early) whilst mixing the known and the unknown. Of course,... — More…
