Alastair Miles
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Elgar: Caractacus
Elizabeth Llewellyn (Eigen), Elgan Llŷr Thomas (Orbin), Roland Wood (Caractacus), Christopher Purves (Arch-Druid, A Bard) & Alastair Miles (Claudius)
Huddersfield Choral Society, Orchestra of Opera North, Martyn Brabbins
Elgan Llŷr Thomas and Elizabeth Llewellyn are especially touching, while in the title role, baritone Roland Wood is on terrific form. —
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Gramophone Magazine, April 2019, Editor's Choice
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Beethoven: Missa Solemnis in D major, Op. 123
RecommendedCharlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles
Monteverdi Choir, Orchestre Revolutionnaire et Romantique, John Eliot Gardiner
A disc that revealed Gardiner's Beethoven credentials but which also showed off his magnificent Monterverdi Choir as it edged into the 19th century. Another Record of the Year. —
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Gramophone Magazine, July 2026, 100 Greatest Recordings
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Gramophone Awards, 1991, Recording of the Year
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Gramophone Awards, 1991, Winner - Choral
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Special offer. Berlioz: L'Enfance du Christ, Op. 25
RecommendedVéronique Gens (Marie), Alastair Miles (Herod/Ishmaelite Father), Yann Beuron (Narrator), Stephan Loges (Joseph)
Swedish Radio Symphony Orchestra & Chorus, Robin Ticciati
Beuron, still probably France's finest lyric tenor, a compelling Recitant with open, ardent tones and warm delivery...Miles is a splendidly anguished but restrained Herod and benign Ishmaelite,... —
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Presto Recording of the Week, 2nd December 2013
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Havergal Brian: The Gothic Symphony
RecommendedSusan Gritton (soprano), Christine Rice (mezzo), Peter Auty (tenor), Alastair Miles (bass), David Goode (organ)
BBC National Orchestra of Wales, BBC Concert Orchestra, various choirs, Martyn Brabbins
the best [recording] yet. There's an ongoing buzz of Proms atmosphere that grips from start to finish; and the recorded sound succeeds phenomenally at somehow fitting Brian's hugest climaxes... —
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Presto Recording of the Week, 28th November 2011
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Gramophone Magazine, February 2012, Editor's Choice
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Special offer. Offenbach: The Tales of Hoffmann
RecommendedJuan Diego Flórez (Hoffmann), Ermonela Jaho (Antonia), Alex Esposito (Lindorf/Coppélius/Miracle/Dapertutto), Julie Boulianne (Nicklausse), Olga Pudova (Olympia), Marina Costa-Jackson (Giulietta), Christine Rice (Muse)
Orchestra of the Royal Opera House, Antonello Manacorda, Damiano Michieletto
Always an elegant, slightly cool presence on stage, Flórez's Hoffmann is more burnt-out playboy than manic tortured poet: this is a man who has spent his life chasing his next thrill rather... —
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Presto Recording of the Week, 19th December 2025
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Special offer. Offenbach: The Tales of Hoffmann
RecommendedJuan Diego Flórez (Hoffmann), Ermonela Jaho (Antonia), Alex Esposito (Lindorf/Coppélius/Miracle/Dapertutto), Julie Boulianne (Nicklausse), Olga Pudova (Olympia), Marina Costa-Jackson (Giulietta), Christine Rice (Muse)
Orchestra of the Royal Opera House, Antonello Manacorda, Damiano Michieletto
All four iterations of the opera’s ultra-villain are performed here by the same singer, as appears to have been Offenbach’s intention… the singing here is generally excellent. Olga Pudova is... —
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Presto Recording of the Week, 19th December 2025
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Special offer. Bruckner - Mass in D minor & Te Deum
Joan Rodgers (soprano), Catherine Wyn-Rogers (alto), Keith Lewis (tenor), Alastair Miles (bass) & James O' Donnell (organ)
Corydon Singers & Corydon Orchestra, Matthew Best
Highest honours must go to the outstanding 140-voice chorus who sing with earth-shattering conviction, utmost clarity of diction and enviable precision of ensemble and intonation … the combined... —
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Special offer. Britten: The Rape of Lucretia
Jean Rigby (Lucretia), Nigel Robson (Male Chorus), Catherine Pierard (Female Chorus), Donald Maxwell (Tarquinius), Alastair Miles (Collatinus), Alan Opie (Junius), Patricia Rozario (Lucia), Ameral Gunson (Bianca)
City of London Sinfonia, Richard Hickox
Hickox allows his singers plenty of space with no loss of tension; they respond impressively, with Catherine Pierard exceptional as the Female Chorus. —
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Verdi: Nabucco
Susan Patterson (Abigail), Alan Opie (Nabucco), Jane Irwin (Fenena), Leonardo Capalbo (Ismael), Alastair Miles (Zachariah), Paul Wade (Abdullah), Dean Robinson (High Priest of Baal), Camilla Roberts (Anna)
David Parry
Opera in English is here fully justified by virtue of an excellent cast all-round who let us hear every word of the old, trusted translation by Norman Tucker and Tom Hammond, pioneers of giving... —
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Gramophone Magazine, January 2007, Disc of the Month
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Richard Strauss: The Complete Songs 4
Christopher Maltman (baritone) & Roger Vignoles (piano), Alastair Miles (bass)
Maltman and Vignoles strike the right note of hard-won simplicity for Goethe's 'Gefunden' and Heine's 'Mit deinen blauen Augen'. Miles then signs in with the wonderful night-boat meditation... —
