Geoffrey Mitchell Choir
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Mozart: The Magic Flute
Barry Banks (Tamino), Rebecca Evans (Pamina), Elizabeth Vidal (Queen of the Night), Simon Keenlyside (Papageno), John Tomlinson (Sarastro), Lesley Garrett (Papagena), John Graham-Hall (Monostatos)
Geoffrey Mitchell Choir, London Philharmonic Orchestra, Sir Charles Mackerras
Of all repertoire operas, none gains more than The Magic Flute from performance in the language of the audience. Musically, the performance is hard to fault. Articulation is light and buoyant,... —
Awards:
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BBC Music Magazine, June 2005, Disc of the month
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Gramophone Magazine, June 2005, Editor's Choice
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Sir Adrian Boult conducts Elgar & Holst
RecommendedLondon Symphony Orchestra, The Geoffrey Mitchell Choir & London Philharmonic Orchestra, Sir Adrian Boult
Awards:
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Building A Library, January 2025, Recommended Recording (The Planets)
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Donizetti: The Elixir of Love
RecommendedBarry Banks (Nemorino), Mary Plazas (Adina), Ashley Holland (Belcore), Andrew Shore (Dulcamara)
Philharmonia Orchestra, Geoffrey Mitchell Choir, David Parry
Awards:
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Building a Library, April 2002, English Language Version
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Building a Library, January 2018, Also Recommended
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Boughton: The Immortal Hour
Roderick Kennedy (bass), Patricia Taylor (contralto), Anne Dawson (soprano), David Wilson-Johnson (baritone), Valery Hill (soprano), Roger Bryson (bass-baritone), Maldwyn Davies (tenor)
English Chamber Orchestra, The Geoffrey Mitchell Choir, Alan G Melville
The Immortal Hour is part of theatrical folklore: in London in the early 1920s it ran, unprecedentedly, for 216 consecutive performances and, shortly afterwards, for a further 160 at the first... —
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2 CDs
$17.50 -
Great Operatic Arias 22 - Gerald Finley
Gerald Finley (baritone)
London Philharmonic Orchestra, Geoffrey Mitchell Choir, Edward Gardner
All essentials for a recital are present here: the featured artist in good voice, imagination capable of bringing 13 different characters to life..., apt recording decisions and on-the-pace... —
Awards:
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Gramophone Magazine, April 2010, Editor's Choice
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Opera, May 2010, Recording of the Month
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Berg: Wozzeck
Andrew Shore (Wozzeck), Josephine Barstow (Marie), Alan Woodrow (Drum Major), Peter Bronder (Andres), Stuart Kale (Hauptmann), Clive Bayley (Doktor), John Graham-Hall (Narr), Jean Rigby (Margaret)
Susan Singh Choristers, Geoffrey Mitchell Choir, Philharmonia Orchestra, Paul Daniel
This is one of the finest recordings so far in Chandos's 'Opera in English' series, and there's certainly no need to make allowances for the performance because of the language. A Wozzeck to... —
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Puccini: Madam Butterfly
Cheryl Barker (Butterfly), Jean Rigby (Suzuki), Paul Charles Clarke (Pinkerton), Gregory Yurisich (Sharpless), Stuart Kale (Goro), D'Arcy Bleiker (Yamadori), Clive Bayley (The Bonze)
Philharmonia Orchestra, Geoffrey Mitchell Choir, Yves Abel
A clear recommendation for those wanting Butterfly in English; even those who don't will find Abel's handling of the score absorbing from first to last —
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Mozart: The Marriage of Figaro
Sung in English (translation by Jeremy Sams)
Christopher Purves (Figaro), Rebecca Evans (Susanna), Yvonne Kenny (Countess), William Dazeley (Count), Diana Montague (Cherubino)
Philharmonia Orchestra, Geoffrey Mitchell Choir, David Parry
a useful, straightforward reading —
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Paër: Sofonisba (highlights)
Jennifer Larmore (Sofonisba), Paul Nilon (Siface), Rebecca Evans (Massinissa), Mirco Palazzi (Scipione), Colin Lee (Lelio), Lucy Crowe (Osmida)
Geoffrey Mitchell Choir & Philharmonia Orchestra, Marco Guidarini
Awards:
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Gramophone Magazine, January 2007, Editor's Choice
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Donizetti: Imelda de’ Lambertazzi
Nicole Cabell (Imelda), James Westman (Bonifacio Geremei), Massimo Giordano (Lamberto), Frank Lopardo (Orlando Lambertazzi), Brindley Sherratt (Ubaldo)
Geoffrey Mitchell Choir & Orchestra of the Age of Enlightenment, Mark Elder
Elder makes a persuasive case for Donizetti's early Romeo-and-Juliet-esque tale of warring families. —
Awards:
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BBC Music Magazine Awards, 2009, Opera Finalist
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