Müller-Schott is sympathetic and perfectly satisfying in his own way, until you hear, say, Glazunov’s elegiac Chant du ménestrel from Rostropovich, who goes beyond Romantic plaintiveness into... — Gramophone Magazine, December 2018More…

Wallfisch and Simon Callaghan are in full sympathy both with one another and with the music, lavishing fullness of tone and subtlety of nuance on both sonatas, while Łukasz Borowicz and the... — Gramophone Magazine, May 2023More…

The Lithuanian Chamber Orchestra supports the soloist well, and conductor Geringas, whose name is gradually becoming a household word, keeps everything together and moving in the right direction,... — American Record GuideMore…

Liliana Kehayova has the right singing tone, and if the personality doesn’t exactly leap out at you, that’s partly due to the slightly recessed recorded sound and to the nature of the two sonatas.... — BBC Music Magazine, October 2021, 3 out of 5 starsMore…

This is the kind of programming that Naxos excels at... Qin, has a disarming simplicity and elegance that prove gently beguiling — The Strad, April 2019More…

Khrychev is the real deal: an old-fashioned cellist of the Russian school with a sound like clear honeyed light and a core of steel. His Rococo Variations are superbly paced, virtuosic and elegant,... — BBC Music Magazine, September 2019, 4 out of 5 stars (Performance) / 3 out of 5 stars (Recording)More…