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Corelli - Concerto grosso Op. 6 No. 5 in B flat major
Genres:
Orchestral » Concerti Grossi
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Awards:
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Building a Library, November 2000, Runner-Up
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Gramophone Awards, 1989, Winner - Early Music - Baroque
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Entirely devoid of contrived preciousness or formulaic complacency, this is simply magnificent. —
Awards:
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Gramophone Magazine, February 2014, Editor's Choice
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Gramophone Awards, 2014, Finalist - Baroque Instrumental
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Diapason d’Or de l’Année, 2013, Winner - Musique baroque instrumentale
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Special offer. Corelli: Concerti Grossi Op. 6, 1-6
Akademie für Alte Musik Berlin (early music ensemble), Mayumi Hirasaki (violin), Georg Kallweit
The Akademie für Alte Musik Berlin bring to Corelli's noble style, with its clearly defined tonality, a blend of grandeur and vivacity. —
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Special offer. Corelli: Concerti Grossi & Sinfonia to Santa Beatrice d’Este
Gottfried von der Goltz (violin and director)
Freiburger Barockorchester
Great fun, this: inspired by evidence that Corelli himself was partial to upscaling his concerti grossi (originally scored for strings-only) when resources and circumstances permitted, Gottfried... —
Awards:
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Presto Editor's Choice, December 2018
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The Times Records of the Year, 2019
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Corelli: Concerti Grossi, Op. 6
RecommendedAccademia Bizantina (early music ensemble), Ottavio Dantone (early keyboard instruments), Alessandro Tampieri
Accademia Bizantina’s cohesion of dynamism and finesse is enthralling from beginning to end. —
Awards:
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International Classical Music Awards, 2024, Nominated - Baroque Instrumental
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Building A Library, July 2025, Recommended Recording
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Purchase product
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Audio formats guide -
Purchase product
Downloads
Audio formats guide -
Awards:
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Gramophone Awards, 1989, Winner - Early Music (Baroque)
Purchase product
Downloads
Audio formats guide -
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Elegant playing - energetic allegros, spacious solo/tutti contrasts, finely poised in the endlessly-spun slow harmonies. Archlute continuo colours delightfully —
Awards:
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Building a Library, March 2013, First Choice
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Audio formats guide -
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Sardelli devised an ingenious approach to re-orchestration so that we hear Corelli's famous concertos clothed in a wider range of colourful instrumentations...This ranks as a fascinating and... —
