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Special offer. Corelli: Concerti Grossi & Sinfonia to Santa Beatrice d’Este
Gottfried von der Goltz (violin and director)
Freiburger Barockorchester
Awards:
-
Presto Editor's Choice, December 2018
-
The Times Records of the Year, 2019
Great fun, this: inspired by evidence that Corelli himself was partial to upscaling his concerti grossi (originally scored for strings-only) when resources and circumstances permitted, Gottfried...
Special offer. Corelli: Concerti Grossi & Sinfonia to Santa Beatrice d’Este
Gottfried von der Goltz (violin and director)
Freiburger Barockorchester
Purchase product
Awards:
-
Presto Editor's Choice, December 2018
-
The Times Records of the Year, 2019
Great fun, this: inspired by evidence that Corelli himself was partial to upscaling his concerti grossi (originally scored for strings-only) when resources and circumstances permitted, Gottfried...
About
Violinist Gottfried von der Goltz at the head of the Freiburger Barockorchester performs Corelli’s Concerti Grossi, true hits of the baroque repertoire.
Recorded by specialists, the programme abounds of life and bursts with colours. The various playing intentions clearly enlighten the different instrumental levels and the vivid dialogue between tutti and solists.
The enlarged continuo features a rich palette: lute, harp, harpsichord and organ are holding up the strings joined - quelle surprise - by winds. Oboe, bassoon, trombone and trumpet still enhance the dramatic dimension of these thrilling pieces.
Gottfried von der Goltz himself sought for all the clues that may provide evidence for the presence of the additional timbres.
These passionate musicians release a brand new Corelli, from a pioneer in orchestral music. An exciting rediscovery.
Contents and tracklist
Spotlight on this release
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Awards and reviews
-
Presto Editor's ChoiceDecember 2018
-
The Times Records of the Year2019
December 2018
Great fun, this: inspired by evidence that Corelli himself was partial to upscaling his concerti grossi (originally scored for strings-only) when resources and circumstances permitted, Gottfried von der Goltz introduces trombones, bassoons, oboes, harp, and (most thrillingly, as in the finale of the first concerto) trumpets into the mix. It could sound over-weighted and anachronistic, but von der Goltz is too assured a baroque stylist for that – everything dances, and there’s never the slightest sense of gilding the lily.
20th January 2019
These exhilarating, expressive performances sound richer than the “purist” all-strings versions by the English Concert and the Avison Ensemble.