Corelli - Concerto grosso Op. 6 No. 4 in D major
Genres:
Orchestral » Concerti Grossi
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Awards:
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Building a Library, November 2000, Runner-Up
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Gramophone Awards, 1989, Winner - Early Music - Baroque
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Entirely devoid of contrived preciousness or formulaic complacency, this is simply magnificent. —
Awards:
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Gramophone Magazine, February 2014, Editor's Choice
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Gramophone Awards, 2014, Finalist - Baroque Instrumental
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Diapason d’Or de l’Année, 2013, Winner - Musique baroque instrumentale
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Corelli: Concerti Grossi & Sinfonia to Santa Beatrice d’Este
Gottfried von der Goltz (violin and director)
Freiburger Barockorchester
Great fun, this: inspired by evidence that Corelli himself was partial to upscaling his concerti grossi (originally scored for strings-only) when resources and circumstances permitted, Gottfried... —
Awards:
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Presto Editor's Choice, December 2018
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The Times Records of the Year, 2019
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Corelli: Concerti Grossi, Op. 6
RecommendedAccademia Bizantina (early music ensemble), Ottavio Dantone (early keyboard instruments), Alessandro Tampieri
Accademia Bizantina’s cohesion of dynamism and finesse is enthralling from beginning to end. —
Awards:
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International Classical Music Awards, 2024, Nominated - Baroque Instrumental
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Building A Library, July 2025, Recommended Recording
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Special offer. Corelli: Concerti Grossi Op. 6, 1-6
Akademie für Alte Musik Berlin (early music ensemble), Mayumi Hirasaki (violin), Georg Kallweit
The Akademie für Alte Musik Berlin bring to Corelli's noble style, with its clearly defined tonality, a blend of grandeur and vivacity. —
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Awards:
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Gramophone Awards, 1989, Winner - Early Music (Baroque)
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Special offer. Un Viaggio A Roma
Sandrine Piau (soprano), Sara Mingardo (contralto). Concerto Italiano, Rinaldo Alessandrini
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Elegant playing - energetic allegros, spacious solo/tutti contrasts, finely poised in the endlessly-spun slow harmonies. Archlute continuo colours delightfully —
Awards:
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Building a Library, March 2013, First Choice
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Le Concert Spirituel
At the time of Louis XV
Jordi Savall (bass viola da gamba & direction)
Le Concert des Nations
Savall reaches out to explore the expressive extremes. Corelli's textures are dense and complex, three solo strings set against, here, ten more strings, playing immaculately. SACD helps greatly... —
