Browse: Caccini, G - Amarilli mia bella

[Mameli] provides an object lesson in how vocal precision need not inhibit passionate commitment. Her clarity and response to the texts is exceptional: the first phrase of Caccini’s Dolcissimo... — The Observer, 26th November 2017, 4 out of 5 stars More…

There are plenty of musical highlights – oboist Kalev Kuljus’s exquisite ‘Pan’, from Britten’s Six Metamorphoses after Ovid; a lithe, light-textured finale from Messiaen’s Turangalila Symphony;... — BBC Music Magazine, December 2017, 4 out of 5 stars More…

Robert Dowland's Musicall Banquet needs no introduction, except to remark on the irresistible challenge it poses for the singer - mastering four very different adioms, French, Italian, Spanish... — Gramophone Magazine, November 2008 More…

Her approach is highly expressive, coaxing performances are nothing if not fiery. Stutzmann wrings every ounce of meaning and emotion from the texts, lending them real dramatic power – even outside... — BBC Music Magazine, February 2018, 3 out of 5 stars More…

…Deller… answers questions about his own life and career, the history of the countertenor, and how the voice is produced. Whilst beguiled by his clear, expressive voice, we can study his eloquent... — BBC Music Magazine, July 2009, 4 out of 5 stars More…

Here is a lovely record. Far from becoming bored by repeated playing of it, I have found my response to the music and the interpretation steadily grow. — Gramophone Magazine, June 1954 More…