Quella Fiamma - Arie Antiche
Nathalie Stutzmann (contralto/musical direction), Shai Kribus (oboe), Patrick Langot (cello), Marie-Domitille Murez (harp) & Miguel Rincòn (theorbo)
Her approach is highly expressive, coaxing performances are nothing if not fiery. Stutzmann wrings every ounce of meaning and emotion from the texts, lending them real dramatic power – even...
Quella Fiamma - Arie Antiche
Nathalie Stutzmann (contralto/musical direction), Shai Kribus (oboe), Patrick Langot (cello), Marie-Domitille Murez (harp) & Miguel Rincòn (theorbo)
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Her approach is highly expressive, coaxing performances are nothing if not fiery. Stutzmann wrings every ounce of meaning and emotion from the texts, lending them real dramatic power – even...
About
The Arie Antiche compiled by Alessandro Parisotti are known to each and every student of classical singing.
But with Quella fiamma, Nathalie Stutzmann and Orfeo 55 breathe new fire into this primer for the voice, performing these songs and arias with original orchestrations, as they would have been heard in their day. Before they were lessons, they were high art.
This album is a selection of pieces from Arie antiche, a 19th Century collection of songs edited by Alessandro Parisotti to be a vocal primer. Though now more famous as the editor of Arie antiche, Parisotti was also a composer, and he managed to slip one of his own works into the book by attributing to Giovanni Pergolesi his song "Se tu m'ami". The collection was very much a part of the trend to rediscover old and forgotten works, and the popularity of the three-volume set has endured to this day.
For this album the musicians of Orfeo 55 have worked painstakingly to source original scores and to edit the parts as necessary. While the instrumental works are not part of Parisotti’s primer, they provide brief musical interludes between the songs to enhance the overall listening experience and bring these works together into a coherent programme.
Contents and tracklist
- Nathalie Stutzmann (mezzo-soprano), Marie-Domitille Murez (harp)
- Patrick Langot (cello)
- Orfeo 55
- Nathalie Stutzmann
- Miguel Rincón (theorbo), Patrick Langot (cello), Nathalie Stutzmann (mezzo-soprano)
- Nathalie Stutzmann
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Awards and reviews
February 2018
Her approach is highly expressive, coaxing performances are nothing if not fiery. Stutzmann wrings every ounce of meaning and emotion from the texts, lending them real dramatic power – even outside their original context. Ashe has an impressive range, too (the voice particularly plummy in its lowest register), and her vivid contrasts of light and shade would make even Caravaggio turn green.
January 2018
One has to admire Parisotti’s taste, as well as (not for the first time) Stutzmann’s rich, wine-dark voice, noble emotional articulation and, when required, flashing virtuosity. Some of these arias are simply ravishing in her hands…She conducts her Orfeo 55 orchestra with a sure hand, too, though a close-ish balance is less kind to the strings. But she is the star all right, one of the great Baroque singers of our day.
