Browse: Copland - Symphony No. 3
Composer: Aaron Copland (1900–90)Genres:
Orchestral » Symphonies
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Copland: Orchestral Works Volume 4 RecommendedSymphony No. 3, Letter from Home, Down a Country Lane & Connotations
BBC Philharmonic, John Wilson
Sonically, the Chandos recording [of the Symphony] has enormous impact…But the interpretation itself is too soft-grained and often oddly tentative…Wilson and the orchestra are far more successful... — More…
Awards:
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Presto Recording of the Week, 9th November 2018
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Presto Recordings of the Year, Finalist 2018
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Copland: Symphony No. 3 & Three Latin American Sketches
RecommendedDetroit Symphony Orchestra, Leonard Slatkin
What counts…in this crisp and sensible performance is Slatkin’s concern with the Symphony’s gentler corners…[His] tight control of textures and the finesse of his Detroit musicians also help... — More…
Awards:
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Grammy Awards, 60th Awards (2017), Nominee - Orchestral Performance
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Awards:
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Presto Recordings of the Year, Finalist 2020
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Grammy Awards, 63rd Awards (2021), Nominee - Best Orchestral Performance
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Aaron Copland: Symphony No. 3 & Music for a Great City Saint Louis Symphony Orchestra, Leonard Slatkin
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Antal Doráti: The Mercury Masters
RecommendedThe Mono Recordings
Antal Dorati, Minneapolis Symphony Orchestra
this is a special release because of the importance of these Mercury recordings in the history of symphonic music in America. The majority of the material (22 of the 31 CDs) has never been released... — More…
Awards:
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Presto Recordings of the Year, Finalist 2023, Shortlisted - Box Set of the Year
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International Classical Music Awards, 2024, Nominated - Historical
31 CDs
$156.75 -
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As an opening salute, the Fanfare for the CommonMan makes a good centenary tribute and prepares listeners for its appearance in the finale of the Third Symphony. It also shows off the prowess... — More…
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Despite some shakiness at the opening of Copland’s Symphony No. 3…the first movement develops a powerful momentum towards a crashing climax…The most searching, expressive playing comes in the... — More…
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