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Browse: Rachmaninov - How fair this spot, Op. 21 No. 7

Composer: Sergey Vassilievich Rachmaninov (1873–1943)Genres: Vocal » Songs
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  • Aida Garifullina (soprano)

    ORF Radio-Symphonieorchester Wien, Cornelius Meister

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  • Anita Rachvelishvili (mezzo-soprano), Vincenzo Scalera (piano)

    her gloriously rich timbre [is] suitably tempered to accommodate a sequence of songs delivered in five different languages. As one might expect, she shows a strong affinity for the Russian songs...But... More…

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  • Renaud Capuçon (violin), Guillaume Bellom (piano)

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  • Luciano Pavarotti (tenor), Renee Fleming (soprano), Bryn Terfel (bass-baritone), Anna Netrebko (soprano), Andreas Scholl (countertenor), Kiri Te Kanawa (soprano), Elina Garanca (mezzo), Andrea Bocelli (tenor), Jonas Kaufmann (tenor), Juan Diego Florez (tenor), Jose Carreras (tenor), Angela Gheorghiu...

    2 CDs

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  • This entertainment alternatives between relatively unfamiliar short works and famous showstoppers. Petrenko and his Liverpool players make the liveliest possible argument for Kabalevsky’s Colas... More…

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  • Olga Peretyatko (soprano)

    Ural Philharmonic Orchestra, Dimitri Liss

    The Rachmaninov songs suit that lower register particularly well; the famous Vocalise is luxuriantly attractive, and Don’t Sing, My Beauty sensuously nostalgic…she closes with two songs from... More…

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  • Anna Netrebko, Dmitry Voropaev, Vladimir Moroz

    Orchestra of the Mariinsky Theatre, Chorus of the Mariinsky Theatre, Valery Gergiev

    Anna Netrebko frames her recital with the two great heroines of Russian 19th- and 20th- century opera: Tatyana in Tchaikovsky's Eugene Onegin and Natasha in Prokofiev's War and Peace. …Netrebko... More…

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  • Vsevolod Grivnov (tenor)

    London Philharmonic Orchestra, Vladimir Jurowski

    a hint of Rachmaninov's beloved Philadelphia string sound surfaces in a few portamentos, but there's no gloss. The beautiful, sombre line continues in a chain of superb solos for the central... More…

    CD

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