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Awards:
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Opus Klassik Awards, 2019, Winner - Solo Vocal Recital (song)
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Gerhaher’s outstanding qualities – a heavenly baritone, crisp diction, intelligent address – once again find an echo in Huber’s pianism. — More…
Awards:
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Gramophone Magazine, Awards Issue 2014, Editor's Choice
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Gramophone Awards, 2015, Winner - Solo Vocal
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there's plenty of artistry here. For all the conceptual orientation of the disc, Boesch isn't the sort of singer who tells you what to think or feel in this music. He lays it out with hugely... — More…
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Special offer. Schubert Lieder Volume 2: An Mein Herz
Matthias Goerne (baritone), Eric Schneider (piano) and Helmut Deutsch (piano)
Goerne… and Schneider offer grave and solemn performances of Goethe's Mignon and Harper songs, before ending on a higher note, celebrating the eternal joy of love in 'Willkommen and Abschied'. — More…
Awards:
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Gramophone Magazine, December 2008, Editor's Choice
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Schubert: Piano Sonata No. 17 in D major, D850, etc.
Leif Ove Andsnes (piano), Ian Bostridge (tenor)
Awards:
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Gramophone Magazine, July 2003, Editor's Choice
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I Wonder As I Wander
RecommendedBeethoven, Schubert, Mahler & Britten
James Newby (baritone), Joseph Middleton (piano)
These are songs for the still grey skies of winter, filled with yearning for the other – whether a love unrequited or lost, a life that falls bitterly short, a homeland viewed from exile – coloured... — More…
Awards:
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Presto Recordings of the Year, Finalist 2021
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Leif Ove Andsnes Plays Schubert
Ian Bostridge (tenor), Leif Ove Andsnes (piano), Timothy Brown (horn)
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New. Die Forelle: Die schönsten Schubert-Lieder
Dietrich Fischer-Dieskau (bass-baritone), Gerald Moore (piano)
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The Hyperion Schubert Edition - Complete Songs Volume 27
Schubert and the Schlegels
Matthias Goerne (baritone), *Christine Schäfer (soprano), Graham Johnson (piano)
Goerne's brief is Schubert's settings of the brothers Schlegel, whose volatile character and life are amply and fascinatingly described in Johnson's introduction to the booklet. As ever in this... — More…
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Although uncomfortably challenged in the upper reaches of ‘Du bist die Ruh’, and momentarily effortful elsewhere, Schäfer’s lyric tenor is an ideal instrument for Schubert, marrying textual... — More…
