Browse: Schumann, Clara - Piano Concerto in A minor, Op. 7
Composer: Clara Schumann (1819–96)Genres:
Concertos » Piano Concertos
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She is a pianist who makes lines sing beautifully and virtuosic passages dance, finding intimacy and eloquence at telling moments…[in the Concerto] Kanneh-Mason matches what we know of Clara’s... — More…
Awards:
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Presto Recording of the Week, 5th July 2019
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Gramophone Magazine, August 2019, Editor's Choice
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The New York Times, Recordings of the Year 2019
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Opus Klassik Awards, 2020, Winner - Newcomer of the Year
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The Romantic Piano Concerto 78 - Clara Schumann
RecommendedPiano Concerto & works by Hiller, Herz & Kalkbrenner
Howard Shelley (piano & conductor)
Tasmanian Symphony Orchestra
[Schumann] Shelley and his well-drilled Tasmanians provide the best possible case, not least in the songlike Romanze, which contains a gorgeous passage for piano and solo cello. Shelley opens... — More…
Awards:
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Presto Recordings of the Year, Finalist 2019
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Clara Schumann & Contemporaries
Andrea Kauten (piano)
Südwestdeutsches Kammerorchester Pforzheim, Timo Handschuh
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Schumann: Trio and Concerto
Ragna Schirmer (piano), Iason Keramidis (fiddle), Benedict Klöckner (cello)
Staatskapelle Halle, Ariane Matiakh
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Clara & Robert Schumann: Concertos
Elena Margolina (piano)
Leipzig Gewandhaus Orchestra, Vogtland Philharmonic Orchestra Greiz-Reichenbach, Doron Salomon
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Clara Schumann & Weber: Piano Concertos
Elizabeth Rich (piano)
Janacek Philharmonic Orchestra, Dennis Burkh
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Clara - Robert - Johannes: Darlings of the Muses
Alexander Shelley, Canada's National Arts Centre Orchestra, Gabriela Montero (piano)
[Montero’s] playing is free-spirited, fire-centred and uninhibitedly expressive, with a sense of rhetoric and flexibility that suggests the Romantic era itself: you can almost see the young Clara... — More…
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Clara Schumann - Piano Music
Francesco Nicolosi (piano), with Rodolfo Bonucci (violin), Andrea Noferini (cello)
Alma Mahler Sinfonietta, Stefania Rinaldi
The autograph manuscript of Robert Schumann's Piano Concerto (1845) revealed not only the toil but also the hand of Clara, par- ticularly in the last movement. Eleven years earlier, Robert had... — More…
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Few concertos wouldn’t wilt in company with Beethoven’s Fourth...But Schumann’s, written aged 15, shows what this passionate, inventive woman might have done in a more enlightened environment...An... — More…
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