Wagner's immense imagination reveals itself in the composer’s 16-hour Ring cycle, being able to fully

captivate worldwide audiences since its complete performance in 1876 in Bayreuth. Christian

Thielemann’s conducting of “Velvety sound of unmatched beauty” (The Guardian) leads an

extremely sophisticated production, with Tcherniakov’s stage that meets the highest technical

standards, evolved in ever new, impressive spaces. Götterdämmerung is the concluding chapter of

Wagner’s monumental four-part opus, which he conceived in the light of the revolution of 1848/49

and completed in 1874 after numerous attempts and a long interruption. In many ways, the thematic

and musical threads are intertwined in a highly artistic and complex manner. “Tcherniakov, as usual,

manages details on a level rarely seen in opera.” (The New York Times)