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Eventail

Heinz Holliger (oboe, oboe d amore), Anton Kernjak (piano), Alice Belugou (harp)

Eventail
Holliger continues to amaze. Now in his eighties, he still finds the time and the stamina alongside his composing and conducting to extend his reputation as the foremost oboist of the past 60...

Eventail

Heinz Holliger (oboe, oboe d amore), Anton Kernjak (piano), Alice Belugou (harp)

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Holliger continues to amaze. Now in his eighties, he still finds the time and the stamina alongside his composing and conducting to extend his reputation as the foremost oboist of the past 60...

About

In his Eventail de musique francaise, Swiss oboist and composer Heinz Holliger traverses a broad selection of French works for oboe and piano in a multichromatic programme of early 20th century music. As Holliger states in his liner note, "the closeness of the oboe to the human voice inspired my idea of opening up the richly coloured fan of French music through the still far too little known collection of Vocalises-Etudes." Contained in this wide-ranging recital are compositions by Ravel, Debussy, Milhaud, Saint-Saens, Casadesus as well as Koechlin, Jolivet and Messiaen - Holliger cultivated a personal relationship with several of the composers. On piano returns Anton Kernjak, who appeared on Holliger's 2014 recording Aschenmusik, while French harpist Alice Belugou comes in to play on Andre Jovilet's Controversia pour hautbois et harpe. The richness of the 20th century oboe-repertoire is on full display throughout and finds Holliger in engaging dialogues with piano and harp. Eventail follows the release of Heinz Holliger's multiple awards-winning large-scale opera Lunea from 2022.

Contents and tracklist

I. Andantino
Track length3:21
II. Allegretto
Track length5:39
III. Molto allegro
Track length2:45
No. 1, Kaddisch (Version for Oboe and Piano)
Track length4:52
I. Allegro molto moderato
Track length5:16
II. Tempo di sardana
Track length4:17
III. Allegro vivo
Track length5:44

Awards and reviews

December 2023

Holliger continues to amaze. Now in his eighties, he still finds the time and the stamina alongside his composing and conducting to extend his reputation as the foremost oboist of the past 60 years. This beautifully crafted album of French works, mostly Vocalises-Etudes and other wordless songs, is bolstered by a triptych of larger works.
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