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Kaleidoscope

Fatma Said (soprano), Orchestre Philharmonique de Monte-Carlo, Sascha Goetzel

Awards:

Said vaults effortlessly across stylistic boundaries, often via dazzling arrangements by her collaborator Tim Allhoff. And that Whitney Houston track? Even diehard sceptics will be moved by...

Kaleidoscope

Fatma Said (soprano), Orchestre Philharmonique de Monte-Carlo, Sascha Goetzel

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This release includes a digital booklet

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Awards:

Said vaults effortlessly across stylistic boundaries, often via dazzling arrangements by her collaborator Tim Allhoff. And that Whitney Houston track? Even diehard sceptics will be moved by...

About

Fatma Said follows her award-winning debut album El Nour with an even more colourful release. Imbued with the spirit of the dance, Kaleidoscope spins across cultures, genres and eras, moving from Strauss, Lehár, Offenbach, Gounod, Weill and Piazzolla to Broadway (My Fair Lady) and the hits of Serge Gainsbourg, Gino Paoli and Whitney Houston. The young Egyptian soprano sings in French, German, English, Spanish, Italian and Arabic, and among her partners are the Orchestre Philharmonique de Monte-Carlo and conductor Sascha Goetzel, mezzo-soprano Marianne Crebassa and trumpeter Lucienne Renaudin Vary.

“Music and dance interlink as one,” says Fatma Said, “They are emotion and physicality in unison. This album is a montage of many different songs and arias, each with its own story to tell through a particular style of music and rhythm. You will encounter my voice turning and changing kaleidoscopically, giving these disparate characters the diversity of voices and musical styles they need: multiple vocal colours, dance inflections, linguistic timbres. With each of them I could have danced – and sung – all night.”

Contents and tracklist

Spotlight on this release

  • Fatma Said's Kaleidoscope

    2nd Sep 2022by Katherine Cooper

    Featuring music by composers including Léhar, Gounod, Weill and Piazzolla, the Egyptian soprano's beguiling, wide-ranging invitation to the dance proves impossible to resist.

  • Fatma Said on Kaleidoscope

    25th Aug 2022by Katherine Cooper

    Ahead of the release of her eclectic dance-inspired album next Friday, the Egyptian soprano talks to Katherine about taking her first steps in ballroom as a hip-hop-loving teenager in Cairo, the parallels between Argentinian tango and classical singing, and two very different divas who inspired her programming...

Awards and reviews

  • Presto Recording of the Week
    2nd September 2022
  • International Classical Music Awards
    2023
    Nominated - Vocal Music
  • Opus Klassik Awards
    2023
    Nominated - Female Singer of the Year & Solo Vocal

October 2022

Said vaults effortlessly across stylistic boundaries, often via dazzling arrangements by her collaborator Tim Allhoff. And that Whitney Houston track? Even diehard sceptics will be moved by this vulnerable rendition in a translucent arrangement.

October 2022

Concerns that all this might be too much for one voice are by and large dispelled by idiomatic performances that are often sharply characterised.

2nd September 2022

it’s evident that the singer’s love and affinity for all this music is grounded in real-life experience on the dance-floor: the rhythmic impetus and ebb and flow of each number is clearly born of something beyond the notes on the page, whether she’s elongating the phrases of a Viennese waltz to delicious effect or tapping into the raw energy of Piazzolla’s María de Buenos Aires.

25th September 2022

Purists may blench, but that’s their loss. Whether navigating I Could Have Danced All Night, Gounod’s Roméo et Juliette, Barcarolle from Les Contes d’Hoffman or Whitney Houston’s I Wanna Dance with Somebody, Said sounds to the manner born.
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