Sitting across the gap between classical and jazz, Kapustin’s Concerto for Piano and Violin is largely bluesy in feel, while the Fourth Piano Concerto almost has a touch of rock about it. In both instances, the soloists here meet the technical challenges superbly.

Kapustin was posthumously christened a ‘Russian in Gershwin’s clothing’. Whoever listens to the recording by Frank Dupree and the Württembergisches Kammerorchester is immediately convinced: this is no exaggeration. Kapustin’s music sounds filigree, virtuosic and full of relish, in an exciting and immediately gripping, transparent performance....Rosanne Philippens also comes into play virtuously and confidently in the Double Concerto.