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Handel: Ariodante

Cecilia Bartoli (Ariodante), Kathryn Lewek (Ginevra), Nathan Berg (King of Scotland), Christophe Dumaux (Polinesso), Sandrine Piau (Dalinda), Rolando Villazón (Lurcanio), Kristofer Lundin (Odoardo)

Les Musiciens du Prince - Monaco, Gianluca Capuano, Christof Loy

Handel: Ariodante

Awards:

This is no routine Ariodante…Bartoli is Bartoli. Those who find her trilling mannered and freighted with excessive vibrato will wrinkle their noses. But who can doubt her remarkable presence...

Handel: Ariodante

Cecilia Bartoli (Ariodante), Kathryn Lewek (Ginevra), Nathan Berg (King of Scotland), Christophe Dumaux (Polinesso), Sandrine Piau (Dalinda), Rolando Villazón (Lurcanio), Kristofer Lundin (Odoardo)

Les Musiciens du Prince - Monaco, Gianluca Capuano, Christof Loy

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Awards:

This is no routine Ariodante…Bartoli is Bartoli. Those who find her trilling mannered and freighted with excessive vibrato will wrinkle their noses. But who can doubt her remarkable presence...

About

At Salzburg Festival, Cecilia Bartoli shines as Ariodante with her dazzling coloratura in a highly acclaimed new production by the German director Christoph Loy, who is known for his clever psychological stagings. Loy turns Handel's splendid baroque opera into an exciting and differentiated reflection on gender roles. A high-class ensemble, first and foremost a brilliant Cecilia Bartoli in the trouser role of the knight Ariodante who effortlessly switches between cheerful and lamenting virtuoso singing makes the production a true triumph. At her side perform audience favourite Rolando Villazón as Lurcano and young American soprano Kathryn Lewek, praised by critics as a „true discovery“ (Neue Zürcher Zeitung). Gianluca Capuano at the podium of the Musiciens du Prince – Monaco „provides for elegance, richness of colour and a sensitive, stirring realisation of the ingenious score.“ (Kurier). „Cecilia Bartoli is a league of her own!" (Der Standard). "The singing was sensational" (LA Times)

Spotlight on this release

Awards and reviews

September 2021

This is no routine Ariodante…Bartoli is Bartoli. Those who find her trilling mannered and freighted with excessive vibrato will wrinkle their noses. But who can doubt her remarkable presence on stage…Lewek’s Ginevra gives us a masterclass in Handelian legato. The French countertenor Christophe Dumaux is magnificent as the villainous Polinesso.

July 2021

Loy has clearly thought hard about the characterisation and he has been rewarded by his singing actors with performances of deep emotion, tenderness, subtlety and – sometimes – extravagance...Barmy concept; compulsively watchable.
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