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Rolando Villazón

Rolando Villazón (Tenor)

Born: 22nd February 1972, Ciudad Satelite, Naucalpan de Juarez, Mexico

Nationality: Mexican

Artist's website: https://rolandovillazon.com/

Rolando Villazón was born in 1972 in Mexico City, Mexico. At the age of 11, he joined the Espacios academy for the performing arts, where he studied music, acting, contemporary dance and ballet. In 1990 Villazón met baritone Arturo Nieto who introduced him to the world of opera and became his voice teacher. Two years later, he entered the National Conservatory of Music to continue his vocal preparation with Enrique Jaso. There, he sang Dorvil from La Scala di Seta, Florville from Il Signor Bruschino, and Alessandro from Il Re Pastore. After winning two national contests in Mexico City and Guanajuato, Villazón became a student of baritone Gabriel Mijares, with whom he continued his studies before launching an international career.

He is now internationally recognized as one of the leading lyric tenors of our day and has been acclaimed for performances at leading theatres across the world including the Metropolitan Opera, Opera National de Paris and the Royal Opera House Covent Garden. He persues a busy recording schedule for Virgin Classics and frequently as a guest on other labels.

Find out more at https://en.wikipedia.org/wiki/Rolando_Villazón

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Further Reading: Rolando Villazón

Recording of the Week, Mozart's La clemenza di Tito from Yannick Nézet-Séguin

13th July 2018

Marina Rebeka and Joyce DiDonato strike sparks off one another as Vitellia and Sesto in a terrific new recording of Mozart's final opera, with Rolando Villazón as the idealistic emperor against whom they conspire.

Recording of the Week, Jules Massenet - Werther & Don Quichotte

12th March 2012

Rolando Villazón brings apposite wildness and fragility to Goethe’s tortured poet, with Antonio Pappano presiding over a visceral, near-Italianate performance from the Covent Garden orchestra, whilst Ferruccio Furlanetto is heart-breaking as the ‘knight of the doleful countenance’ from the Mariinsky.

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