Vaughan Williams: Symphony No 5 & Scenes adapted from Bunyan's Pilgrim's Progress
Kitty Whately (mezzo-soprano), Christopher Bowen (tenor), Tom Raskin (tenor), Andrew Rupp (bass), Jamie W Hall (bass), Marcus Farnsworth (baritone), Georgina Wheatley (soprano), BBC Symphony Orchestra, BBC Symphony Chorus, Martyn Brabbins
Awards:
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Gramophone Magazine, Critics' Choice 2020
-
Gramophone Awards, 2021, Shortlisted - Orchestral
Brabbins and his musicians generally give a glowing and contemplative account of the Fifth Symphony (1943), its colours well captured in producer Andrew Keener’s fine recording.
Vaughan Williams: Symphony No 5 & Scenes adapted from Bunyan's Pilgrim's Progress
Kitty Whately (mezzo-soprano), Christopher Bowen (tenor), Tom Raskin (tenor), Andrew Rupp (bass), Jamie W Hall (bass), Marcus Farnsworth (baritone), Georgina Wheatley (soprano), BBC Symphony Orchestra, BBC Symphony Chorus, Martyn Brabbins
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Awards:
-
Gramophone Magazine, Critics' Choice 2020
-
Gramophone Awards, 2021, Shortlisted - Orchestral
Brabbins and his musicians generally give a glowing and contemplative account of the Fifth Symphony (1943), its colours well captured in producer Andrew Keener’s fine recording.
About
Vaughan Williams’s incidental music for ‘The Pilgrim’s Progress’ has seldom been heard in its original guise since the 1906 premiere; yet further reason to acquire an outstanding interpretation of the composer’s Symphony No 5.
Contents and tracklist
- Kitty Whately (mezzo-soprano), Christopher Bowen (tenor), Tom Raskin (tenor), Andrew Rupp (bass), Jamie W Hall (bass), Marcus Farnsworth (baritone), Georgina Wheatley (soprano)
- BBC Symphony Orchestra, BBC Symphony Chorus
- Martyn Brabbins
Spotlight on this release
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Awards and reviews
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Gramophone MagazineCritics' Choice 2020
Christmas 2020
Brabbins and his musicians generally give a glowing and contemplative account of the Fifth Symphony (1943), its colours well captured in producer Andrew Keener’s fine recording.
December 2020
Brabbins’s Vaughan Williams symphony cycle goes from strength to strength with this impressively cogent, self-effacing Fifth, a reading notable for its unhurried demeanour, clarity of texture and orchestral playing of conspicuous finesse and lustre…The coupling could hardly be more intriguing...A rather special release, this, and emphatically not to be missed.
6th December 2020
The symphony is spaciously, nobly conceived and Kitty Whately makes a touching Angel.