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Saint-Saëns: Ascanio - Ballet: Andromaque

Malmö Symphony Orchestra, Jun Märkl

Saint-Saëns: Ascanio - Ballet: Andromaque
Ascanio is barely known today, but its ballet music contains the most delicious Renaissance pastiches, This, alongside a miscellany of other orchestral bits and bobs, makes for a delightful...

Saint-Saëns: Ascanio - Ballet: Andromaque

Malmö Symphony Orchestra, Jun Märkl

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Ascanio is barely known today, but its ballet music contains the most delicious Renaissance pastiches, This, alongside a miscellany of other orchestral bits and bobs, makes for a delightful...

About

Saint-Saëns's operatic works contain instrumental music of vivacity and charm but have been undeservedly overlooked. Ascanio contains a substantial and elaborate divertissement that fellow composer Reynaldo Hahn termed the entire Renaissance in a few pages. Les Barbares, a tale of conquest and revenge, includes a vivid Prologue and joyful ballet, while La Princesse jaune with its pentatonic writing, and La Jota aragonese laced with Spanish vitality, show the composer at his most generously carefree.

Contents and tracklist

Entrée du maître des jeux
Track length1:34
Vénus, Junon et Pallas
Track length1:07
Diane, dryades et naïades
Track length2:01
Bacchus et les bacchantes
Track length1:38
Apparition Phœbus, d'Apollon et les neuf muses
Track length2:40
Phœbus prenant sa lyre, évoque l'Amour
Track length3:23
L'Amour fait apparaître Psyché (1)
Track length2:28
Ensemble de Phœbus, Diane, Erigone, Nicœa et Bacchus avec les muses, les nymphes et les bacchantes
Track length1:53
Variation de l'amour (1)
Track length1:38
Le dragon des Hespérides apporte la pomme d'or
Track length1:55
Final. Les déesses, bacchantes, naïades et dryades
Track length4:09
Prélude to Act IV
Track length4:56
Overture
Track length8:37
L'Amour fait apparaître Psyché (2)
Track length2:29
Variation de l'amour (2)
Track length2:05

Spotlight on this release

Awards and reviews

March 2020

Ascanio is barely known today, but its ballet music contains the most delicious Renaissance pastiches, This, alongside a miscellany of other orchestral bits and bobs, makes for a delightful listen.

March 2020

You can’t fault Märkl’s performance...There’s some exemplary playing, above all from the woodwind in the tricky oboe solo in the ‘Tambourin’ that marks Bacchus’s first appearance and the near concertante flute-writing that accompanies the scenes between Cupid and Psyche.

January 2020

Rarely encountered scores, expertly delivered.
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