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Elegy – Countertenor duets by Purcell & Blow

Iestyn Davies, James Hall (countertenors)

The King’s Consort, Robert King

Elegy – Countertenor duets by Purcell & Blow

Awards:

Davies is the headline artist on the cover; but in fact he duets with James Hall on notably equal terms, the two voices subtly differing in timbre but compatible in articulation and expressivity....

Elegy – Countertenor duets by Purcell & Blow

Iestyn Davies, James Hall (countertenors)

The King’s Consort, Robert King

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Awards:

Davies is the headline artist on the cover; but in fact he duets with James Hall on notably equal terms, the two voices subtly differing in timbre but compatible in articulation and expressivity....

About

 World-renowned countertenor Iestyn Davies, partnered by outstanding young countertenor James Hall and The King’s Consort, turns his attention to the music of Henry Purcell and his colleague John Blow.

 This beautifully themed programme of solos and duets centres on elegies, and concludes with Blow’s magnificent ‘Ode on the death of Purcell’. Rarely heard together on one recording are a set of three substantial elegies composed by Purcell and Blow to commemorate the untimely death of the much-loved Queen Mary. Two of these ingeniously take the same text, one in English (by Blow – a particularly fine work), the other in Latin (Purcell). Another highlight is Iestyn’s seraphic rendition of the melancholy masterpiece, ‘O solitude’. Around these come duets both famous and less familiar, including ‘Hark how the songsters’, Blow’s ravishing ‘Ah, heav’n, what is’t I hear?’, the deliciously languid ‘In vain the am’rous flute’ and, of course, ‘Sound the trumpet’.

 The death of Queen Mary, which spurred London’s two leading composers into doleful elegiac action, was soon to be followed by a greater musical calamity: the loss of Henry Purcell. John Blow’s outstanding ‘Ode on the death of Mr Henry Purcell’ is not only a heartfelt tribute to his colleague, but one of the most outstanding English works of the era.

 Iestyn Davies shows himself to be a true master of this repertoire, beautifully partnered by James Hall and by an ensemble which has dominated the world of Purcell recordings for more than thirty years.

 Recorded in world-class new recording venue, Alpheton New Maltings, demonstrating its exceptional acoustic of striking clarity and warmth.

 Extensive presentation includes 52 page booklet with liner note in three languages, full texts and translations, and six pages of session photos.

Contents and tracklist

No. 1, Mark How the Lark and Linnet Sing
Track length3:52
No. 2, But in the Close of Night
Track length4:57
No. 3, So Ceas'd the Rival Crew When Purcell Came
Track length2:55
No. 4, We Beg Not Hell, Our Orpheus to Restore
Track length1:51
No. 5, The Pow'r of Harmony Too Well They Knew
Track length2:35
No. 6, The Heav'nly Quire, Who Heard His Notes from High
Track length4:28
No. 7, Ye Brethren of the Lyre, and Tuneful Voice
Track length2:49

Spotlight on this release

Awards and reviews

  • Gramophone Magazine
    Awards Issue 2019
    Editor's Choice
  • International Classical Music Awards
    2019
    Nominee - Baroque Vocal
  • Gramophone Awards
    2020
    Shortlisted - Recital

December 2019

Davies is the headline artist on the cover; but in fact he duets with James Hall on notably equal terms, the two voices subtly differing in timbre but compatible in articulation and expressivity. The signers are backed by a similarly well-matched pair of recorders and a supportive continuo section with an imaginatively changing choice of instruments.

Awards Issue 2019

Absolutely on point: with two wonderfully matched countertenors and superb recorder-playing, bound together in the intimate acoustic of Alpheton New Maltings, Suffolk…The big draw is, of course, countertenor Iestyn Davies, and for me his performance of Purcell’s ‘O solitude’ is a clear standout…This is surely one of the best countertenor performances on disc…This whole disc is a trove of bittersweet delights.

1st September 2019

They duet ravishingly in Purcell’s Hark! How the songsters and Sound the Trumpet, and in less familiar pieces by Blow, whose Ode on the Death of Mr Henry Purcell is the album’s moving climax.

1st September 2019

Worthy successors to James Bowman and Michael Chance, who also recorded these duets with the King’s Consort, Davies and Hall bring a chamber-music intensity to Blow’s sublime elegy on Purcell’s death, though nothing on the disc quite beats the spine-tingling last bars of Purcell’s duet O dive custos.
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