Special offer. Macmillan: Stabat Mater
The Sixteen, Britten Sinfonia, Harry Christophers
Awards:
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Gramophone Magazine, May 2017, Disc of the Month
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Gramophone Awards, 2017, Shortlisted - Contemporary
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Presto Recordings of the Year, Finalist 2017
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Diapason d’Or de l’Année, 2017, Winner - Musique Chorale
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Record Review, 4th March 2017, Recording of the Week
His vivid, trenchant string writing is realised with striking clarity by the Britten Sinfonia in this recording, made just a fortnight after the same performers gave the world premiere last...
Special offer. Macmillan: Stabat Mater
The Sixteen, Britten Sinfonia, Harry Christophers
Purchase product
Awards:
-
Gramophone Magazine, May 2017, Disc of the Month
-
Gramophone Awards, 2017, Shortlisted - Contemporary
-
Presto Recordings of the Year, Finalist 2017
-
Diapason d’Or de l’Année, 2017, Winner - Musique Chorale
-
Record Review, 4th March 2017, Recording of the Week
His vivid, trenchant string writing is realised with striking clarity by the Britten Sinfonia in this recording, made just a fortnight after the same performers gave the world premiere last...
About
Includes the world premiere recording of James MacMillan's Stabat Mater.
Few living composers communicate with the emotional directness of Sir James MacMillan, and performances of his new Stabat Mater are eagerly anticipated. The Sixteen gave the world premiere of this work at a series of concerts in October 2016 as well as recording the work for their own record label, CORO. For MacMillan, 'beauty is at the heart of our Christian faith' and the Stabat Mater is sure to be profoundly shaped by his beliefs. But this is a work with deep roots and a universal message, a celebration of both tradition and radical renewal.
Contents and tracklist
- Simon Berridge, Jeremy Budd, George Pooley, Ben Davies, Mark Dobell, Daniel Collins, Julie Cooper
- The Sixteen, Britten Sinfonia
- Harry Christophers
Spotlight on this release
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Awards and reviews
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Gramophone MagazineMay 2017Disc of the Month
-
Presto Recordings of the YearFinalist 2017
-
Diapason d’Or de l’Année2017Winner - Musique Chorale
-
Record Review4th March 2017Recording of the Week
June 2017
His vivid, trenchant string writing is realised with striking clarity by the Britten Sinfonia in this recording, made just a fortnight after the same performers gave the world premiere last October in London. The Sixteen’s singing is predictably high in quality. Cries, shouts, whispers, glissandos, episodes of ululating melisma, all feature…in [MacMillan’s] quest to render musically the visceral emotional content of the Stabat Mater
May 2017
Macmillan’s visceral approach to word-setting can generate genuine and immediate emotional involvement in his listeners…Warmly recommended.
May 2017
…without doubt the work's impact is immeasurably heightened by the exceptional performance it receives here…Christopher's adoration of MacMillan's Stabat Mater radiates out of every moment of this compelling performance…the Britten Sinfonia have tremendously incisve rhythmic bite.
30th May 2017
Even though I am sure there is much more in this Stabat Mater than I have yet discerned I am already confident that it is a masterpiece. It should be heard by anyone who values eloquent contemporary music.
12th March 2017
It’s a devastatingly powerful evocation of Mary’s agony, balancing impassioned choral writing with equally intense, occasionally violent, work for the strings of the Britten Sinfonia...Wonderfully sung; profoundly moving.
10th April 2017
There is deference to the power of plainsong in the chanted opening, the timelessness of which feeds into the sublime harmonic journey of the ensuing movements. MacMillan’s unfolding of the text and its instrumental halo are masterfully judged. I defy any atheist not to be moved by such a profound musical interpretation of religious belief.
classicalsource.com February 2017
his Stabat Mater is both moving and original in its word-setting and especially in its creation of atmosphere
Classical CD Review April 2017
This is an amazing high emotion choral masterpiece in MacMillan's distinctive style, incredibly difficult for the singers and the string orchestra. The recording was made October 31 / November 1, 2016 in London's St. Augustine's Church, and engineers have captured the rich sounds of the venue in proper perspective…An important issue!
Classical Ear 21st June 2017
Its stark but searing beauty is brilliantly illuminated by the powerfully nuanced voices of The Sixteen and the poetically rich accompaniment of the Britten Sinfonia, by turns cosseting and excoriating.