Macmillan: Stabat Mater - Coro: COR16150 - CD or download

His vivid, trenchant string writing is realised with striking clarity by the Britten Sinfonia in this recording, made just a fortnight after the same performers gave the world premiere last October... — BBC Music Magazine, June 2017, More…

Release Date: 3rd Mar 2017
Catalogue No: COR16150
Label: Coro
Length: 59 minutes

Gramophone Magazine

May 2017

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2017

Shortlisted - Contemporary
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Finalist 2017
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2017

Winner - Musique Chorale
Record Review

4th March 2017

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Contemporary Music - up to 25% off Special offer ends: 28/01/2019

MacMillan: Stabat Mater (Plainsong)

4:56

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The Sixteen, Britten Sinfonia
Harry Christophers

MacMillan: Stabat Mater

54:48

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The Sixteen, Britten Sinfonia
Harry Christophers
Simon Berridge, Jeremy Budd, George Pooley, Ben Davies, Mark Dobell, Daniel Collins, Julie Cooper

Stabat Mater dolorosa

14:48

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Quis non posset contristari

13:13

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Sancta Mater, istud agas

11:32

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Fac, ut portem Christi mortem

15:15

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Read our exclusive interviews with James MacMillan and Harry Christophers about the project.

Includes the world premiere recording of James MacMillan's Stabat Mater.

Few living composers communicate with the emotional directness of Sir James MacMillan, and performances of his new Stabat Mater are eagerly anticipated. The Sixteen gave the world premiere of this work at a series of concerts in October 2016 as well as recording the work for their own record label, CORO. For MacMillan, 'beauty is at the heart of our Christian faith' and the Stabat Mater is sure to be profoundly shaped by his beliefs. But this is a work with deep roots and a universal message, a celebration of both tradition and radical renewal.

Reviews

June 2017

His vivid, trenchant string writing is realised with striking clarity by the Britten Sinfonia in this recording, made just a fortnight after the same performers gave the world premiere last October in London. The Sixteen’s singing is predictably high in quality. Cries, shouts, whispers, glissandos, episodes of ululating melisma, all feature…in [MacMillan’s] quest to render musically the visceral emotional content of the Stabat Mater

May 2017

Macmillan’s visceral approach to word-setting can generate genuine and immediate emotional involvement in his listeners…Warmly recommended.

May 2017

…without doubt the work's impact is immeasurably heightened by the exceptional performance it receives here…Christopher's adoration of MacMillan's Stabat Mater radiates out of every moment of this compelling performance…the Britten Sinfonia have tremendously incisve rhythmic bite.

30th May 2017

Even though I am sure there is much more in this Stabat Mater than I have yet discerned I am already confident that it is a masterpiece. It should be heard by anyone who values eloquent contemporary music.

12th March 2017

It’s a devastatingly powerful evocation of Mary’s agony, balancing impassioned choral writing with equally intense, occasionally violent, work for the strings of the Britten Sinfonia...Wonderfully sung; profoundly moving.

10th April 2017

There is deference to the power of plainsong in the chanted opening, the timelessness of which feeds into the sublime harmonic journey of the ensuing movements. MacMillan’s unfolding of the text and its instrumental halo are masterfully judged. I defy any atheist not to be moved by such a profound musical interpretation of religious belief.

classicalsource.com February 2017

his Stabat Mater is both moving and original in its word-setting and especially in its creation of atmosphere

Classical CD Review April 2017

This is an amazing high emotion choral masterpiece in MacMillan's distinctive style, incredibly difficult for the singers and the string orchestra. The recording was made October 31 / November 1, 2016 in London's St. Augustine's Church, and engineers have captured the rich sounds of the venue in proper perspective…An important issue!

Classical Ear 21st June 2017

Its stark but searing beauty is brilliantly illuminated by the powerfully nuanced voices of The Sixteen and the poetically rich accompaniment of the Britten Sinfonia, by turns cosseting and excoriating.

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