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Wagner: Parsifal

Andreas Schager (Parsifal), Anja Kampe (Kundry), Wolfgang Koch (Amfortas), René Pape (Gurnemanz), Tomas Tómasson (Klingsor), Matthias Hölle (Titurel)

Staatskapelle Berlin, Staatsopernchor, Konzertchor der Staatsoper, Daniel Barenboim & Dmitri Tcherniakov (director)

Wagner: Parsifal
Musically it’s first-class…the casting is pretty much ideal and all deliver superbly. Kampe proves with her gleaming high notes that this role needs a soprano…[Schager] has both weight and lyricism....

Wagner: Parsifal

Andreas Schager (Parsifal), Anja Kampe (Kundry), Wolfgang Koch (Amfortas), René Pape (Gurnemanz), Tomas Tómasson (Klingsor), Matthias Hölle (Titurel)

Staatskapelle Berlin, Staatsopernchor, Konzertchor der Staatsoper, Daniel Barenboim & Dmitri Tcherniakov (director)

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Musically it’s first-class…the casting is pretty much ideal and all deliver superbly. Kampe proves with her gleaming high notes that this role needs a soprano…[Schager] has both weight and lyricism....

About

Wagner’s final opera is a medieval epic story marked by Christian, Buddhist and esoteric references. It is about redemption and renewal, but this new production by Russian director Dmitri Tcherniakov adds a jarring note: revenge.

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Awards and reviews

October 2016

Musically it’s first-class…the casting is pretty much ideal and all deliver superbly. Kampe proves with her gleaming high notes that this role needs a soprano…[Schager] has both weight and lyricism. Pape now colours more committedly than in previous recordings of the role; Koch and Tómasson also do very well

October 2016

A fresh take on the opera that will challenge and provoke you.

February 2017

Daniel Barenboim’s conducting - patient, serious and drawing beautiful playing from the Staatskapelle - is a good match for Tcherniakov’s concentrated, melancholy vision of the work. It’s beautifully shot, too.

New York Times 24th November 2016

Tcherniakov has established himself as one of our most important directors of opera, and this foray into Wagner shows why, with its mix of respect for the drama and its traditions, and its innovative ideas...A must for anyone with Wagnerian inclinations.
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