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Chopin: Mazurkas
Pavel Kolesnikov (piano)
Awards:
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Diapason d’Or de l’Année, 2016, Winner - Piano
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Gramophone Awards, 2017, Shortlisted - Instrumental
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Gramophone Magazine, Awards Issue 2016, Editor's Choice
An ideal realisation of these exquisite dances, the likes of which I never dreamt of hearing…Liszt said it: ‘A wind plays in the leaves, life unfolds and develops beneath them, but the tree...
Chopin: Mazurkas
Pavel Kolesnikov (piano)
Purchase product
Awards:
-
Diapason d’Or de l’Année, 2016, Winner - Piano
-
Gramophone Awards, 2017, Shortlisted - Instrumental
-
Gramophone Magazine, Awards Issue 2016, Editor's Choice
An ideal realisation of these exquisite dances, the likes of which I never dreamt of hearing…Liszt said it: ‘A wind plays in the leaves, life unfolds and develops beneath them, but the tree...
About
There are in all fifty-eight mazurkas by Chopin. Pavel Kolesnikov, making a welcome second recording for Hyperion, here performs a selection of twenty-four, from the earliest examples dating from his teenage years, through to the rich maturity of Op 59 No 2 from 1845.
Contents and tracklist
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Awards and reviews
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Diapason d’Or de l’Année2016Winner - Piano
-
Gramophone MagazineAwards Issue 2016Editor's Choice
Awards Issue 2016
An ideal realisation of these exquisite dances, the likes of which I never dreamt of hearing…Liszt said it: ‘A wind plays in the leaves, life unfolds and develops beneath them, but the tree remains the same – that is the Chopin rubato.’ Kolesnikov does it…these performances are the most beautiful and strikingly original I’ve heard.
October 2016
This must be one of the most appealing Chopin discs I’ve ever come across.
18th September 2016
His unfolding of the lovely G minor Op 24, No 1, with its gentle, sighing motifs , is pliantly phrased and delicately shaped, but there is no lack of temperament in his virtuoso dispatch of the big pieces that conclude each set.
Classical Ear 1st November 2016
The 26-year-old's latest Hyperion release is arguably the best Chopin recording I have encountered in recent years…from start to finish Kolesnikov doesn’t lose sight of the fact these are dances in miniature and his phrasing of each is entirely apposite. Chopin’s inventiveness is made the inescapable feature of this recording