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Chopin: Mazurkas

Pavel Kolesnikov (piano)

Chopin: Mazurkas

Awards:

An ideal realisation of these exquisite dances, the likes of which I never dreamt of hearing…Liszt said it: ‘A wind plays in the leaves, life unfolds and develops beneath them, but the tree...

Chopin: Mazurkas

Pavel Kolesnikov (piano)

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This release includes a digital booklet

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Awards:

An ideal realisation of these exquisite dances, the likes of which I never dreamt of hearing…Liszt said it: ‘A wind plays in the leaves, life unfolds and develops beneath them, but the tree...

About

There are in all fifty-eight mazurkas by Chopin. Pavel Kolesnikov, making a welcome second recording for Hyperion, here performs a selection of twenty-four, from the earliest examples dating from his teenage years, through to the rich maturity of Op 59 No 2 from 1845.

Contents and tracklist

Spotlight on this release

Awards and reviews

  • Diapason d’Or de l’Année
    2016
    Winner - Piano
  • Gramophone Awards
    2017
    Shortlisted - Instrumental
  • Gramophone Magazine
    Awards Issue 2016
    Editor's Choice

Awards Issue 2016

An ideal realisation of these exquisite dances, the likes of which I never dreamt of hearing…Liszt said it: ‘A wind plays in the leaves, life unfolds and develops beneath them, but the tree remains the same – that is the Chopin rubato.’ Kolesnikov does it…these performances are the most beautiful and strikingly original I’ve heard.

October 2016

This must be one of the most appealing Chopin discs I’ve ever come across.

18th September 2016

His unfolding of the lovely G minor Op 24, No 1, with its gentle, sighing motifs , is pliantly phrased and delicately shaped, but there is no lack of temperament in his virtuoso dispatch of the big pieces that conclude each set.

Classical Ear 1st November 2016

The 26-year-old's latest Hyperion release is arguably the best Chopin recording I have encountered in recent years…from start to finish Kolesnikov doesn’t lose sight of the fact these are dances in miniature and his phrasing of each is entirely apposite. Chopin’s inventiveness is made the inescapable feature of this recording
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