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Chopin - Mazurka No. 38 in F sharp minor, Op. 59 No. 3
Genres:
Instrumental » Piano Solos » Mazurkas
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An ideal realisation of these exquisite dances, the likes of which I never dreamt of hearing…Liszt said it: ‘A wind plays in the leaves, life unfolds and develops beneath them, but the tree... —
Awards:
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Diapason d’Or de l’Année, 2016, Winner - Piano
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Gramophone Awards, 2017, Shortlisted - Instrumental
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Gramophone Magazine, Awards Issue 2016, Editor's Choice
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this brilliant disc deserves its legendary appellation...Argerich performs with such white-hot intensity that it scarcely feels like a studio recording. Her volcanic energy can leave you scrambling... —
Awards:
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Presto Greatest Recordings of the 1960s
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Building A Library, April 2022, Also Recommended
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New. Frédéric Chopin: Laureate of the 14. International Fryderyk Chopin Piano Competition, 2000
Mihaela Ursuleasa (piano)
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The playing is not merely extremely beautiful, it has something much more elusive about it; a sense of illuminating the music from the inside, such that the dividing line between the composer... —
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She was only 18 at the time, yet this belongs with other great interpretations for its mixture of poetry and virtuosity. At once shy and passionate, the performance is atmospheric in clean mono... —
Awards:
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Record Review, December 2010, Critics' Disc of the Year
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Special offer. Marguerite Long, Vol. 2 - Chopin, Debussy, Milhaud & Ravel
Marguerite Long (piano), Philippe Gaubert, Pedro de Freitas Branco, Darius Milhaud, Georges Tzipine
There are many imaginative touches as well as the dexterity for which Long was famous. She is gentle and affectionate in the F-sharp minor Mazurka Op 59/3, and more so in the D-flat Waltz Op... —
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Kissin is among the master-pianists of our time.
What magnificence and assertion he finds in the B minor Sonata's opening, what menace in the following uprush of chromatic scales, his deliberate... — -
Perpetual Motion - Béla Fleck
RecommendedBéla Fleck (banjo), Joshua Bell (violin), Evelyn Glennie (marimba), John Williams (guitar)
Awards:
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Grammy Awards, 44th Awards (2001), Best Classical Crossover Album
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Anderszewski's musicality makes organic sense of the whole recital. It lives and breathes just as movingly as a whole as it does within any one of the miniatures in isolation, and that is a... —
Awards:
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Gramophone Magazine, December 2003, Editor's Choice
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