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Gounod: La Colombe

Erin Morley (Sylvie), Javier Camarena (Horace), Michèle Losier (Mazet), Laurent Naouri (Maître Jean)

Hallé Orchestra, Sir Mark Elder

Gounod: La Colombe

Awards:

One hero of this admirable Opera Rara release is Mark Elder, utterly committed to Gounod's score and coaxing elegant music-making from the Hallé. There's also some properly idiomatic singing,...

Gounod: La Colombe

Erin Morley (Sylvie), Javier Camarena (Horace), Michèle Losier (Mazet), Laurent Naouri (Maître Jean)

Hallé Orchestra, Sir Mark Elder

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

One hero of this admirable Opera Rara release is Mark Elder, utterly committed to Gounod's score and coaxing elegant music-making from the Hallé. There's also some properly idiomatic singing,...

About

Following his award-winning recording of Donizetti’s Les Martyrs, Sir Mark Elder’s second Opera Rara release of 2015 features an rare recording Gounod’s delightful opera La Colombe ("The Dove”). Sir Mark and the Halle Orchestra are joined by a wonderful cast, led by two of the most acclaimed young singers in the world today.

Since graduating from the Metropolitan Opera’s Lindemann Young Artist Development Program in 2010, Erin Morley has risen to become one of today’s most most sought after coloratura sopranos. Alongside Erin is Mexican tenor Javier Camerena, one of only three singers in 70-years to sing an encore at the Metropolitan Opera during two consecutive performances of Rossini’s “la Cenerentola” (those two other encore singers were Juan Diego Florez and Luciano Pavarotti).

Contents and tracklist

Introduction
Track length3:40
Sylvie, Sylvie! Venez-la ma mignonne!
Track length2:52
Voila qui est fait
Track length3:50
Qu'il garde son argent!
Track length5:50
Voyons, seigneur, ecoutez un moment la raison
Track length0:31
Les amoureux
Track length3:17
Allons retrouver madame la comtesse
Track length2:10
Je veux interroger ce jeune homme
Track length5:59
Ah! Les femmes! Les femmes
Track length2:51
Et ton maitre partage
Track length1:05
O vision enchanteresse!
Track length3:32
Bref, cher seigneur, je suis tout a fait ravie
Track length1:02
O douce joie!
Track length4:00
Entr'acte
Track length2:45
Le grand art de cuisine
Track length4:02
Les fournisseurs refusent
Track length1:19
Il faut d'abord dresser la table!
Track length9:29
Me voila retombee dans une etrange reverie!
Track length1:24
Que de reves charmants emportes sans retour!
Track length3:24
Je vous cherche depuis une heure
Track length1:21
Ces attraits que chacun admire
Track length2:30
La deesse aujourd'hui se nomme Amynte
Track length1:06
Mais non, quand nous aurons dine
Track length3:16
Helas, seigneur, pardonnez-moi
Track length5:43
Apaisez, blanche colombe
Track length2:45

Spotlight on this release

Awards and reviews

February 2016

One hero of this admirable Opera Rara release is Mark Elder, utterly committed to Gounod's score and coaxing elegant music-making from the Hallé. There's also some properly idiomatic singing, as you'd expect from a veteran like Laurent Naouri…best of all is the young Mexican tenor Javier Camarena as Horace.

March 2016

Javier Camarena has made a mark principally in Italian bel canto roles but as Horace deals ably with Gounod’s lyrical demands, although the voice can turn metallic. Erin Morley offers a splendid portrayal of the capricious Sylvie which appealingly balances the countess’s assertive moments, including a brilliant waltz (a genre in which Miolan-Carvalho specialized), with some lovely expressive singing. All unfolds smoothly under Mark Elder’s affectionate leadership.

30th October 2015

Michèle Losier is marvellous in the trouser-role of Mazet, Horace’s misogynistic servant: his/her manic tirade against womanly wiles is a real highlight, but she also has great rapport with Camarena’s high tenor...Laurent Naouri is all haughty Gallic flair as Sylvie’s epicurean majordomo...But the palm goes to the American coloratura soprano Erin Morley, who’s an absolute knock-out as the spoilt girl-about-town Sylvie.

25th November 2015

La Colombe is clearly not a profound work, but it is well filled with the kind of ingratiating tunes that Gounod could turn out so effectively. Elder’s performance has just the right light touch too, always keeping its tongue ever so slightly in its cheek...Modest though it is, a rarity like this couldn’t be served much better by a recording.
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