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Special offer. Franck & Strauss: Violin Sonatas

James Ehnes (violin) & Andrew Armstrong (piano)

Franck & Strauss: Violin Sonatas

Awards:

conjures up this utterly serene state of bliss

Special offer. Franck & Strauss: Violin Sonatas

James Ehnes (violin) & Andrew Armstrong (piano)

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CD

Original price $18.50 Reduced price $14.24

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From Original price $10.00 Reduced price $7.00

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Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($13.00) Reduced price $9.00

320 kbps, MP3

Original price ($10.00) Reduced price $7.00

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

conjures up this utterly serene state of bliss

About

James Ehnes and long term musical partner Andrew Armstrong have performed both the Franck and Strauss violin sonatas many times and bring special insight to these works that only many years of performing them together can convey.

The Franck is one of the very greatest of all violin sonatas, and finds the composer at the height of his powers. The Strauss sonata is the work of a young man on the cusp of finding his unique musical voice, with echoes of Brahms mingling with flashes of the Strauss of Don Juan. The Allegretto in E dates from the very end of Strauss’s long career, and is a tender and beautifully poised miniature that displays no flagging of his creativity and inspiration. The disc ends with three of the composer’s most popular songs.

Contents and tracklist

I. Allegretto ben moderato
Track length6:06
II. Allegro
Track length7:54
III. Ben moderato - Recitative-Fantasia
Track length7:35
IV. Allegretto poco mosso
Track length6:31
I. Allegro ma non troppo
Track length11:19
This track is only available as an album download.
II. Improvisation - Andante cantabile
Track length8:37
III. Finale - Andante – Allegro
Track length9:01

Spotlight on this release

Awards and reviews

CD Review

conjures up this utterly serene state of bliss

June 2015

James Ehnes and Andrew Armstrong make a kaleidoscope of both sonatas that reflects their almost indistinguishable elements and which, in turn, honours the profoundly romantic nature of both works…there is rarely adequate justification for a new recording of either sonata in such an overstuffed catalogue but the unqualified musicianship and transcendent phrasing certainly offer one here
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