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Beethoven: Missa Solemnis in D major, Op. 123

Genia Kühmeier (soprano), Elisabeth Kulman (mezzo-soprano), Mark Padmore (tenor), Hanno Müller-Brachmann (bass-baritone) & Anton Barachovsky (solo violin)

Chor and Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink

Beethoven: Missa Solemnis in D major, Op. 123

Awards:

Haitink at 85 makes his first recording of one of music’s choral masterpieces – and what a wonderful performance his wisdom and experience offers.

Beethoven: Missa Solemnis in D major, Op. 123

Genia Kühmeier (soprano), Elisabeth Kulman (mezzo-soprano), Mark Padmore (tenor), Hanno Müller-Brachmann (bass-baritone) & Anton Barachovsky (solo violin)

Chor and Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink

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Awards:

Haitink at 85 makes his first recording of one of music’s choral masterpieces – and what a wonderful performance his wisdom and experience offers.

About

The BR-KLASSIK label has already released several recordings with Bernard Haitink, who has now been connected with the Symphonieorchester des Bayerischen Rundfunks for over 55 years. Following Bruckner's Fifth Symphony, Mahler's Ninth and Haydn's "Creation," BR-KLASSIK now presents a live recording of Ludwig van Beethoven's "Missa solemnis" – a work performed for the recording market for the first time under the baton of Bernard Haitink. The musical partners of this grand seigneur among world-class conductors are the Choir and Symphonieorchester des Bayerischen Rundfunks as well as a finely coordinated ensemble of soloists, consisting of Genia Kühmeier, Elisabeth Kulman, Mark Padmore and Hanno Müller-Brachmann.

Contents and tracklist

I. Kyrie (Live)
Track length9:46
Gloria. Allegro vivace (Live)
Track length18:39
Credo. Allegro ma non troppo (Live)
Track length19:58
Sanctus. Adagio (Live)
Track length15:10
Agnus Dei. Adagio (Live)
Track length15:46

Awards and reviews

  • Gramophone Magazine
    August 2015
    Editor's Choice

August 2015

Haitink at 85 makes his first recording of one of music’s choral masterpieces – and what a wonderful performance his wisdom and experience offers.

10th May 2015

it is deeply felt, has a superbly disciplined and committed chorus, and grows powerfully towards an Agnus Dei whose darkness and terror are beautifully realised.
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