Help
Skip to main content

Leighton: Crucifixus

& other choral works

Jeremy Cole (organ), Andrew Kennedy (tenor)

Trinity College Choir Cambridge, Stephen Layton

Leighton: Crucifixus
The writing [in Crucifixus] is at its finest when tenor Andrew Kennedy is singing: his contribution is altogether gripping, and unstintingly committed. There's wonderful quiet singing from the...

Leighton: Crucifixus

& other choral works

Jeremy Cole (organ), Andrew Kennedy (tenor)

Trinity College Choir Cambridge, Stephen Layton

Purchase product

CD

$17.50

In stock - only 69 left: usually despatched within 1 working day

Download

From$8.25

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$14.50

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$12.50

320 kbps, MP3

$8.25

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
The writing [in Crucifixus] is at its finest when tenor Andrew Kennedy is singing: his contribution is altogether gripping, and unstintingly committed. There's wonderful quiet singing from the...

About

The choral music of Kenneth Leighton is beloved of cathedral and collegiate choirs across the land: immersion in the Anglican tradition dates back to the composer’s earliest years as a boy chorister and combines with a unique adult musical language to create a world at once radical and traditional. And who better to perform it than the musicians of the next generation—Trinity College Choir Cambridge under their director Stephen Layton.

Contents and tracklist

I. Kyrie eleison
Track length2:33
II. Sanctus
Track length1:12
III. Benedictus
Track length1:42
IV. Agnus Dei
Track length3:27
V. Gloria in excelsis Deo
Track length3:29
VI. Ite, missa est
Track length5:26
I. Magnificat
Track length6:32
II. Nunc dimittis
Track length4:11
I. Christ in the Cradle
Track length4:23
II. Christ in the Garden
Track length4:09
III. Christ in his Passion
Track length7:13
IV. Hymn
Track length3:14

Awards and reviews

Awards Issue 2015

The writing [in Crucifixus] is at its finest when tenor Andrew Kennedy is singing: his contribution is altogether gripping, and unstintingly committed. There's wonderful quiet singing from the choir in the concluding 'Drop, drop slow tears'...The account of the Missa brevis is if anything even better...[Layton] elicits great subtleties of expression from his young singers.

May 2015

The Trinity Choir responds to the music’s energetic, often muscly feel, and Stephen Layton’s direction declines to prettify.

April 2015

An excellent disc, one for all lovers of 20th century British music in general and choral music in particular.
View download progress