You Mean the World to Me

Kaufmann offers a more intimate, less full-throated approach than [Tauber or Schmidt], but it's highly effective and both his musicianship and his attention to text are characteristically impeccable.... — BBC Music Magazine, 5 out of 5 stars More…

Release Date: 15th Sep 2014
Catalogue No: 88843087712
Label: Sony
Length: 66 minutes

BBC Music Magazine

Opera Choice
Presto Recording of the Week

15th September 2014

No digital booklet included

Listen immediately in My Library

Lehár: Paganini: "Girls Were Made to Love and Kiss"

Work length3:26

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

Lehár: The Land of Smiles: "You Are My Heart's Delight"

Work length3:51

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

Tauber: Du bist die Welt für mich

Work length3:52

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

Lehár: Frasquita: "My Little Nest of Heavenly Blue"

Work length3:37

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

Stolz, R: Liebeskommando: "Im Traum hast Du mir alles erlaubt"

Work length3:07

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

Kalman: Gräfin Mariza: "Grüß mir mein Wien"

Work length5:26

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

Heymann: Irgendwo auf der Welt (from Der Blonde Traum)

Work length2:56

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

May, H: My Song Goes Round the World

Work length2:47

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

Lehár: Freunde, das Leben ist lebenswert (from Giuditta)

Work length3:25

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

Abraham: Victor und ihr Husar: "Reich mir zum Abschied noch einmal die Hände"

Work length4:20

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor), Julia Kleiter (soprano)
Berlin Radio Symphony Orchestra
Jochen Rieder

Benatzky: The White Horse Inn:"It Must Be Wonderful Indeed"

Work length3:04

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

Abraham: Die Blume von Hawaii: "Diwanpüppchen"

Work length4:07

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor), Julia Kleiter (soprano)
Berlin Radio Symphony Orchestra
Jochen Rieder

Stolz, R: The Song is Over:"Don't Ask Me Why"

Work length3:57

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

Spoliansky: Das Lied einer Nacht: "Heute Nacht oder nie"

Work length3:10

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

Künneke, Eduard: Die große Sünderin: "Das Lied vom Leben des Schrenk"

Work length4:26

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

Korngold: Die tote Stadt: "Glück, das mir verblieb"

Work length6:09

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor), Julia Kleiter (soprano)
Berlin Radio Symphony Orchestra
Jochen Rieder

Lehár: Das Land des Lächelns: "Je t'ai donné mon coeur"

Work length4:01

$1.30

$1.70

$2.00

Jonas Kaufmann (tenor)
Berlin Radio Symphony Orchestra
Jochen Rieder

About
Reviews
Videos
Explore

About

Recording of the Week, Jonas Kaufmann sings popular German music from the 1920s and 30s

15th September 2014

Katherine listens to German tenor Jonas Kaufmann's latest release, an enchanting collection of German operetta and light music numbers.

Jonas dedicates his new album to the golden era of German music which flourished in Berlin between 1925 & 1935. He shows an undeniable mastery of this demanding repertoire, which was written for the leading tenors of the time.

‘Lied vom Leben des Schrenk’ by Künneke in particular has only been recorded 3 times before and is hugely challenging vocally. Jonas draws inspiration from an artistically rich and fascinating time of European musical history. The repertoire ranges from the Lehár-Tauber-Hits of the Roaring Twenties until the heyday of the mid 1930s which saw the eventual expulsion and banning of the composers, lyricists and singers who had defined the genre.

The repertoire draws from 3 strands of musical history (Talking movies, Operetta and Polystylistic composers) and shows Jonas’ voice at its most flexible.

The album naturally also includes operetta evergreens by the unbeatable composer-tenor pairing of Franz Lehàr and Richard Tauber – including “Dein ist mein ganzes Herz”, “Hab’ ein blaues Himmelbett ” and “Gern hab ich die Frauen geküßt”.

Jonas’ favoured encores - Richard Tauber’s famous self-penned “Du bist die Welt für mich” and “Ein Lied geht um die Welt” made famous by Joseph Schmidt in the movie of the same title - are also included.

Reviews

Kaufmann offers a more intimate, less full-throated approach than [Tauber or Schmidt], but it's highly effective and both his musicianship and his attention to text are characteristically impeccable. Also noteworthy are the orchestrations, which - wherever possible - are the originals, and elsewhere stylish copies...Kaufmann devotees will find him the perfect matinee idol.

December 2014

It should be wonderful - and it sometimes is. Kaufmann certainly has the vocal range to deliver both the heroics of Kunneke's 'Lied vom Leben des Schrenk' and the close-to-the-mic smooch of Abraham's 'Diwanpuppchen'...But he sounds at times uncertain of what emotional line to take...But nobody in this country...should be put off a chance to hear such repertoire so well sung.

March 2015

Kaufmann phrases these and the standard Kálmán numbers to the manner born. His sprightly account of the number from Im weissen Rössl shows why Benatzky’s operetta maintains its hold on the repertory in Europe. Surprises? Again, I didn’t know Stolz’s ‘Frag nicht warum ich gehe’, a smashing tune, most winningly sung.

15th September 2014

Kaufmann’s affinity with this material goes far beyond his matinee-idol image...He must surely have one of the widest dynamic ranges of any singer around, which pays especially rich rewards in this music: the ‘crooner’ numbers never sound either oversung or undersupported, even in the upper reaches of the voice...For me, though, it’s the big dramatic showpieces that really bring the house down.

26th October 2014

Kaufmann sings more heroically than the lyric tenors Richard Tauber and Joseph Schmidt, who made songs by Lehar, Kalman, Stolz and co international hits. But it’s thrilling to hear a Siegmund voice in Lehar’s best-known Tauber Lied, You Are My Heart’s Delight, and Freunde, das Leben ist Lebenswert.

11th January 2015

it’s hard not to be charmed by these plushly upholstered melodies, especially if they are consumed in small doses. Kaufmann is always an intelligently stylish singer, and here he cleverly lightens his timbre and manner to give each number...the appropriate air of easy and spontaneous sensuality...Aficionados of the genre will be enthralled.

Videos

An error occurred.

Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.

You Mean the World to Me

Downloads

Contents

Recording of the Week, Jonas Kaufmann sings popular German music from the 1920s and 30s