Atmosfere Teatrali: per organo a Quattro Mani

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Release Date: 29th Jul 2013
Catalogue No: TC750001
Label: Tactus
Length: 61 minutes

Usually despatched in 3 - 4 working days

Excerpt, Bellini: I Capuleti e I Montecchi

Work length5:47

$1.00

$1.30

Federica Iannella, Giuliana Maccaroni

Overture (arr. for organ 4 hands)

Track length5:47

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$1.30

Excerpt, Bellini: Norma

Work length6:26

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$1.30

Federica Iannella, Giuliana Maccaroni

Overture (arr. for organ 4 hands)

Track length6:26

$1.00

$1.30

Excerpt, Donizetti: Anna Bolena

Work length9:08

$2.00

$2.60

Federica Iannella, Giuliana Maccaroni

Overture (arr. for organ 4 hands)

Track length9:08

$2.00

$2.60

Excerpt, Donizetti: La Fille du Régiment

Work length7:29

$2.00

$2.60

Federica Iannella, Giuliana Maccaroni

Overture (arr. for organ 4 hands)

Track length7:29

$2.00

$2.60

Excerpt, Mozart: Don Giovanni, K527

Work length6:31

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$1.30

Federica Iannella, Giuliana Maccaroni

Overture (arr. for organ 4 hands)

Track length6:31

$1.00

$1.30

Excerpt, Mozart: Le nozze di Figaro, K492

Work length4:56

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Federica Iannella, Giuliana Maccaroni

Overture [arr. for organ 4 hands]

Track length4:56

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$1.30

Excerpt, Mozart: Così fan tutte, K588

Work length5:07

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Federica Iannella, Giuliana Maccaroni

Overture (arr. for organ 4 hands)

Track length5:07

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$1.30

Rossini: Marcia (pas-redouble) per il sultano di Turchia Abdul Medjid

Work length4:04

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Federica Iannella, Giuliana Maccaroni

Excerpt, Rossini: Péchés de vieillesse: Vol. 9, Album pour piano, violon, violoncelle, harmonium et cor (excerpts)

Work length5:20

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Federica Iannella, Giuliana Maccaroni

12. Petite fanfare a quatre mains

Track length5:20

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$1.30

Rossini: Passo doppio (arr. for organ 4 hands)

Work length6:24

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$1.30

Federica Iannella, Giuliana Maccaroni

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Among the pieces presented in this disc we can distinguish two threads. On the one hand, the works by Bellini, Donizetti and Mozart are ascribed to the overture form, “reappraised” in the range of the organ and drawn from the original version for orchestra. On the other hand, the works by Rossini are occasional pieces: the Marcia for the Turkish sultan Abdul Madjid was composed by Rossini as a mark of gratitude for having been awarded the Order of Nicham-Iftihar, and the Petite fanfare belongs to the Péchés de vieillesse, composed in the period in which Rossini lived in Paris, after having abandoned the stage; they are a genuine manifesto of transgression, satire, retaliation, hints, jokes, innuendoes, irony and provocation – the last roar of the lion who had been “the lord and master of music” and who had proclaimed: “Musical creativity is entirely in my hands and I can do what I please with it”. The organ here is the indisputable protagonist, not for a mere reproduction of orchestra or piano music, but as a means for expressing nuances, blends, tones, effects, evocations and magic atmospheres: this immense possibility is the foundation of its greatness.

Atmosfere Teatrali

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