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Bach: Flute Sonatas

Andrea Oliva (flute) & Angela Hewitt (piano)

Bach: Flute Sonatas
Hewitt has never tried merely to copy the character and techniques of harpsichord on the piano. Rather, she translates one to the other, capitalising on their differences...[Oliva's] modern...

Bach: Flute Sonatas

Andrea Oliva (flute) & Angela Hewitt (piano)

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This release includes a digital booklet

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Hewitt has never tried merely to copy the character and techniques of harpsichord on the piano. Rather, she translates one to the other, capitalising on their differences...[Oliva's] modern...

About

Fans of Angela Hewitt will be delighted to find her in chamber mode, accompanying Andrea Oliva (described as ‘one of the best flutists of his generation, a shining star in the world of the flute’ by Sir James Galway) in a programme of J S Bach’s flute sonatas (including one by his most famous and talented son, CPE). Of unfailingly remarkable quality, all these works exploit the full potential of an instrument which was only just coming into its own when they were written. Oliva’s lyricism and agility coupled with Hewitt’s musicianship—not to mention her lifelong rapport with Bach’s music—make this an album to treasure.

Contents and tracklist

I. Allegro moderato
Track length4:03
II. Siciliano
Track length2:09
III. Allegro
Track length5:01
I. [Allegro]
Track length4:12
II. Adagio
Track length2:34
III. Allegro
Track length5:06
I. Andante
Track length1:40
II. Allegro
Track length2:37
III. Adagio
Track length1:49
IV. Menuetto I and II
Track length2:57
I. Adagio ma non tanto
Track length3:21
II. Allegro
Track length2:44
III. Andante
Track length3:57
IV. Allegro
Track length4:49
I. Adagio ma non tanto
Track length2:37
II. Allegro
Track length3:06
III. Siciliano
Track length3:41
IV. Allegro assai
Track length3:15
I. Andante
Track length7:54
II. Largo e dolce
Track length4:22
III. Presto – Allegro
Track length5:54

Awards and reviews

April 2013

Hewitt has never tried merely to copy the character and techniques of harpsichord on the piano. Rather, she translates one to the other, capitalising on their differences...[Oliva's] modern silver flute has a glorious shimmering quality and an even tone...[His] breath control is astonishing...Hewitt's clean articulation exemplary...this is an inspired modern-instrument take on Bach.

June 2013

Oliva is alert to the stylistic nuances, both Baroque and galant, inherent in these works...What makes this recording stand out is Oliva and Hewitt's consummate musicality and palpable sense of ease, whatever the demands of the music.

14th February 2013

Hewitt, of course, is a model of discretion and elegance, and – despite some self-consciously moulded phrasing – Oliva's playing is generally immaculate.
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