Bellini: I Puritani (highlights)
Stefan Elenkov (Lord Gualtiero Walton), Montserrat Caballé (Elvira), Agostino Ferrin (Sir Giorgio Walton), Alfredo Kraus (Lord Arturo Talbot), Matteo Manuguerra (Sir Riccardo Forth), Dennis O’neill (Sir Bruno Robertson) & Julia Hamari (Enrichetta)
Ambrosian Opera Chorus & Philharmonia...
Elvira might have been written with Caballé’s limpid tones and predominantly gentle art in mind, Arturo with Alfredo Kraus’s sense of line and plangency of tone.
Bellini: I Puritani (highlights)
Stefan Elenkov (Lord Gualtiero Walton), Montserrat Caballé (Elvira), Agostino Ferrin (Sir Giorgio Walton), Alfredo Kraus (Lord Arturo Talbot), Matteo Manuguerra (Sir Riccardo Forth), Dennis O’neill (Sir Bruno Robertson) & Julia Hamari (Enrichetta)
Ambrosian Opera Chorus & Philharmonia...
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Elvira might have been written with Caballé’s limpid tones and predominantly gentle art in mind, Arturo with Alfredo Kraus’s sense of line and plangency of tone.
About
Contents and tracklist
Work length1:13:41
This work is only available as an album download.
- Matteo Manuguerra (bass-baritone), Montserrat Caballé (soprano), Alfredo Kraus (tenor), Richard Genée (bass-baritone), Julia Hamari (performed by), Stefan Elenkov (bass), Agostino Ferrin (bass), Dennis O’Neill (tenor)
- John McCarthy, Philharmonia Orchestra, London Classical Players, Ambrosian Singers
- Riccardo Muti, Sir Roger Norrington
- Recorded: 1979-07-04
- Recording Venue: 18, 21-24, 29-30 June & 1, 4 July 1979. Kingsway Hall, London
I Puritani (1988 - Remaster), Act I, Scena prima: O di Cromvel guerrieri (Bruno / Elvira / Arturo / Riccardo / Giorgio / Coro)
Track length3:29
I Puritani (1988 - Remaster), Act II: Cinta di fiori e col ben crin disciolto (Giorgio / Coro)
Track length5:15
O rendetemi la speme ... Qui la voce sua soave mi chiamava ... Tornò il riso sul suo aspetto
Track length11:47
This track is only available as an album download.
I Puritani (1988 - Remaster), Act II: Vien diletto, è in ciel la luna (Elvira / Riccardo / Giorgio)
Track length5:11
Awards and reviews
Elvira might have been written with Caballé’s limpid tones and predominantly gentle art in mind, Arturo with Alfredo Kraus’s sense of line and plangency of tone.
