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Barber: Vanessa

Eleanor Steber (Vanessa), Nicolai Gedda (Anatol), Rosalind Elias (Erika), Regina Resnik (The Old Baroness), Giorgio Tozzi (The Old Doctor), George Cehanovsky (Nicholas), Robert Nagy (Footman)

Metropolitan Opera Orchestra and Chorus, Dimitri Mitropoulos

Barber: Vanessa
There is the great pleasure of hearing young Nicolai Gedda, enchanting of voice, greatly musical, singing faultless English...[Steber is] strong in temperament, generous of voice, and well inside...

Barber: Vanessa

Eleanor Steber (Vanessa), Nicolai Gedda (Anatol), Rosalind Elias (Erika), Regina Resnik (The Old Baroness), Giorgio Tozzi (The Old Doctor), George Cehanovsky (Nicholas), Robert Nagy (Footman)

Metropolitan Opera Orchestra and Chorus, Dimitri Mitropoulos

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There is the great pleasure of hearing young Nicolai Gedda, enchanting of voice, greatly musical, singing faultless English...[Steber is] strong in temperament, generous of voice, and well inside...

About

Samuel Barber’s first opera was an outstanding success when first performed in 1958 at the Metropolitan opera and this recording was made with the original cast and conductor. Eleanor Steber (for whom Barber had written Knoxville) created the title role. The work follows traditional operatic form with arias, duets and ensembles within an essentially romantic — and sometimes nostalgic —musical language characteristic of Barber’s other works.

Recorded in 1958

Contents and tracklist

Potage crème aux perles
Track length3:30
No, I cannot understand
Track length5:00
Must the winter come so soon?
Track length2:16
Listen!... They are here...
Track length1:39
Do not utter a word, Anatol
Track length4:46
Yes, I believe I shall love you
Track length1:51
Who are you?
Track length5:38
And then? - He made me drink
Track length4:09
No, you are not as good a skater
Track length3:00
Under the willow tree...
Track length2:21
Erika, I am so happy
Track length1:19
Our arms entwined
Track length4:04
Did you hear her?
Track length4:01
Outside this house the world has changed
Track length5:10
Orchestral Interlude - Hymn
Track length4:32
The Count and the Countess d'Albany
Track length3:15
I should never have been a doctor
Track length3:14
Here you are!
Track length1:25
At last I found you
Track length6:22
Nothing to worry about
Track length6:23
Why did no one warn me?
Track length4:27
Why must the greatest sorrows
Track length2:03
There, look!
Track length5:27
Anatol, tell me the truth!
Track length1:05
Take me away
Track length1:37
Grandmother! - Yes, Erika
Track length2:14
Intermezzo
Track length3:32
By the time we arrive
Track length1:10
For every love there is a last farewell
Track length2:17
And you, my friend
Track length6:05
To leave, to break (Quintet)
Track length3:44
Goodbye, Erika
Track length6:12

Awards and reviews

February 1978

There is the great pleasure of hearing young Nicolai Gedda, enchanting of voice, greatly musical, singing faultless English...[Steber is] strong in temperament, generous of voice, and well inside the character. Rosalind Elias had the lioness's share of the music and responded splendidly at all levels.

2011 edition

This recording was made at the time of its first performance in 1958, but no apologies are needed for its quality; it stands the test of time as well as does the opera itself, and this reissue is well worth seeking out.
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