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English Love Songs
Mark Stone (baritone) & Stephen Barlow (piano)
..this is not a recital restricted to one vocal hue. Each song is looked at and receives relevant response from both singer and pianist. ….he (Mark Stone) introduces so much by way of nuance...
English Love Songs
Mark Stone (baritone) & Stephen Barlow (piano)
Purchase product
..this is not a recital restricted to one vocal hue. Each song is looked at and receives relevant response from both singer and pianist. ….he (Mark Stone) introduces so much by way of nuance...
About
This excellent release is a unique collection of English love songs by some of the great English composers of the 20th century including Vaughan-Williams, Purcell, Britten, Dowland, Finzi and Warlock. All of the songs are firm favourites; amongst the most well known are Silent worship, Where’er you walk, If music be the food of love and The salley gardens. Mark Stone has sung at Covent Garden most recently in “Don Giovanni” and is a regular guest at ENO, WNO, Glyndebourne and Opera North. He and Stephen Barlow regularly perform together as a recital duo and often appear on Radio 3 and in concert in the UK and abroad.
Contents and tracklist
Awards and reviews
March 2009
..this is not a recital restricted to one vocal hue. Each song is looked at and receives relevant response from both singer and pianist. ….he (Mark Stone) introduces so much by way of nuance and colour to make this a very interesting and fulfilling programme, one which is well recorded.
15th February 2009
Stone has made an estimable career as a lyric baritone at Opera North and English National Opera, but he is less familiar as a recitalist. His light, airy baritone is well suited to the more easy-going English love songs, but takes on a nasal, pinched quality when a sense of drama is required, as in Frank Bridge’s galloping Love went a-riding. This attractive miscellaneous programme might have made a stronger impression if the order of songs were not so haphazard: Vaughan Williams (Silent Noon and Love bade me welcome) segues uncomfortably into Dowland’s Awake, sweet love, and Purcell, Handel and Haydn are interspersed pell-mell between Quilter and Ireland, Butterworth and Warlock, Finzu and Britten. Stone’s theme and sequence are too loose to be compelling and his diction, mostly clear, rarely achieves the eloquence of a born song interpreter.