Bach - Cantatas Volume 39 - BIS: BISSACD1641 - SACD or download

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None of these five cantatas extends beyond a quarter of an hour and yet the wealth of material is brilliantly compressed in a manner which followers of Bach's chorale cantata Jahrgang, his second... — Gramophone Classical Music Guide, 2010 More…

Release Date: 2nd Jun 2008
Catalogue No: BISSACD1641
Label: BIS
Series: Suzuki Bach Cantatas
Length: 72 minutes

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Bach, J S: Cantata BWV68 'Also hat Gott die Welt geliebt'

Work length14:21

$5.00

$6.50

$8.75

Carolyn Sampson, Peter Kooij, Dmitry Badiarov
Bach Collegium Japan Chorus, Concerto Palatino, Bach Collegium Japan
Masaaki Suzuki

Chorale. Also hat Gott die Welt geliebt (Chorus)

Track length4:32

$1.00

$1.30

$1.75

Aria. Mein glaubiges Herze (Soprano)

Track length3:07

$1.00

$1.30

$1.75

Recitative. Ich bin mit Petro nicht vermessen (Bass)

Track length0:46

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Aria. Du bist geboren mir zugute (Bass)

Track length3:25

$1.00

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Wer an ihn glaubet (Chorus)

Track length2:31

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Bach, J S: Er rufet seinen Schafen mit Namen, BWV 175

Work length15:03

$7.00

$9.10

$12.25

Robin Blaze, Gerd Türk, Peter Kooij, Dmitry Badiarov
Bach Collegium Japan Chorus, Bach Collegium Japan
Masaaki Suzuki

Recitative. Er rufet seine Schafen mit Namen (Tenor)

Track length0:28

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Aria. Komm, leite mich (Alto)

Track length4:14

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Recitative. Wo find ich dich (Tenor)

Track length0:33

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Aria. Es dunket mich, ich seh dich kommen (Tenor)

Track length3:07

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Recitative. Sie vernahmen aber nicht (Alto, Bass)

Track length1:00

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Aria. Offnet euch, ihr beiden Ohren (Bass)

Track length4:00

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Chorale. Nun, werter Geist, ich folge dir (Chorus)

Track length1:41

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Bach, J S: Cantata BWV28 'Gottlob, nun geht das Jahr zu Ende'

Work length13:28

$6.00

$7.80

$10.50

Carolyn Sampson, Robin Blaze, Gerd Türk, Peter Kooij
Bach Collegium Japan Chorus, Concerto Palatino, Bach Collegium Japan
Masaaki Suzuki

Aria. Gottlob! Nun geht das Jahr zu Ende (Soprano)

Track length3:51

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$1.75

Nun lob, mein Seel, den Herren (Chorus)

Track length3:43

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Recitative. So spricht der Herr (Bass)

Track length1:35

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Recitative. Gott ist ein Quell, wo lauter Gute fleusst (Tenor)

Track length1:04

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Aria. Gott hat uns im heurigen Jahre gesegnet (Alto, Tenor)

Track length2:09

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Chorale. All solch dein Gut wir preisen (Chorus)

Track length1:06

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Bach, J S: Cantata BWV183 'Sie werden euch in den Bann tun'

Work length13:58

$6.00

$7.80

$10.50

Carolyn Sampson, Robin Blaze, Gerd Türk, Peter Kooij, Dmitry Badiarov
Bach Collegium Japan Chorus, Bach Collegium Japan
Masaaki Suzuki

Recitative. Sie werden euch in den Bann tun (Bass)

Track length0:30

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$1.30

$1.75

Aria. Ich furchte nicht des Todes Schrecken (Tenor)

Track length7:53

$2.00

$2.60

$3.50

Recitative. Ich bin bereit, mein Blut und armes Leben (Alto)

Track length0:58

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$1.75

Aria. Hochster Troster, Heilger Geist (Soprano)

Track length3:30

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Chorale. Du bist ein Geist, der lehret (Chorus)

Track length1:07

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Bach, J S: Cantata BWV85 'Ich bin ein guter Hirt'

Work length15:39

$6.00

$7.80

$10.50

Carolyn Sampson, Robin Blaze, Gerd Türk, Peter Kooij, Dmitry Badiarov
Bach Collegium Japan Chorus, Bach Collegium Japan
Masaaki Suzuki

Aria. Ich bin ein guter Hirt (Bass)

Track length3:07

$1.00

$1.30

$1.75

Aria. Jesus ist ein guter Hirt (Alto)

Track length3:01

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$1.75

Chorale. Der Herr ist mein getreuer Hirt (Soprano)

Track length4:42

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Recitative. Wenn die Mietlinge schlafen (Tenor)

Track length1:03

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Aria. Seht, was die Liebe tut (Tenor)

Track length2:23

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$1.75

Chorale. Ist Gott mein Schutz und treuer Hirt (Chorus)

Track length1:23

$1.00

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$1.75

About
Reviews
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About

After two volumes concentrating on solo cantatas, the full forces of Bach Collegium Japan return in this programme of five cantatas dated 1725. The choir instantly makes its presence felt in the first movement of the opening work, BWV68. This is a large-scale hymn arrangement, where the choir is supported by an orchestra featuring horn and oboes. This is followed by one of the most charming and beautiful soprano arias in all of Bach’s cantatas, Mein gläubiges Herze’, in which Carolyn Sampson shines. The five works all include, to a certain extent, unusual instrumental combinations: from the three recorders which lend a pastoral character to Er rufet seinen Schafen mit Namen, BWV175, to the wind quartet (two oboi d’amore and two oboi da caccia) appearing in Sie werden euch in den Bann tun, BWV183. The variety of timbres is further aided by the appearance of the cornet and trombones of Concerto Palatino. Gerd Türk glows in the intensely melodic tenor aria ‘Seht, was die Liebe tut’ (from BWV 85), Peter Kooij, whose bass becomes the voice of Christ in Ich bin ein guter Hirt, (BWV85). All in all, another impressive installment in this highly acclaimed cycle.

Reviews

2010

None of these five cantatas extends beyond a quarter of an hour and yet the wealth of material is brilliantly compressed in a manner which followers of Bach's chorale cantata Jahrgang, his second cycle from Trinity 1724, would have come to expect. Before the following Easter, the composer had abandoned the cycle – at least partly, one imagines, as a result of some upset with the church authorities – and resumed with the conventional model where the music takes the gospel as catalyst for poetic inspiration.
Vol 39 from Masaaki Suzuki introduces us initially to the outstanding Whit Monday cantata, No 68, Also hat Gott die Welt geliebt ('God so loved the world') in a performance of uncharacteristically ruddy complexion by Collegium Bach Japan. The siciliana rhythm is elegantly turned here but lacks intensity. Likewise, the bubbling radiance of 'Mein gläubiges Herze' ('My heart ever faithful', as early English arrangers have known it) is short of the genial joie devivre which Agnes Giebel famously brings to Fritz Werner's performance (Erato).
If the texts of Marianne von Ziegler for Nos 68, 175 and 183 (sadly, she collaborated with Bach on only nine works) afford a special luminosity of imagery which Bach clearly found profoundly arresting, Suzuki is equally committed to Neumeister's effervescent representation of God's gifts of the past year in the Christmas Cantata Gottlob!, No 28. After Carolyn Sampson's authoritative opening aria, the great motet movement on the chorale, 'Nun lob, mein Seel, den Herren', finds a happy balance between textural refinement and declamatory zeal.
These are, indeed, fine performances with notable contributions from all the soloists (and obbligato instruments – apart from some laboured violoncello piccolo playing in BWV183, albeit played on the shoulder, “da spalla”), though no single one falls into that special category where an association between work and performer is formed for instant recall.

September 2008

…fine performances with notable contributions from all the soloists…

The wonderfully trim and naturally expressive period band and choir, underpinned by an exceptional group of continuo players…. High-quality Bach singing and playing.

Bach - Cantatas Volume 39

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