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Mozart & Beethoven - Quintets for Piano & Winds

Stephen Hough (piano)

Berlin Philharmonic Wind Quintet

Awards:

The combination of Stephen Hough and wind players from the BPO makes for sparkling performances of these two quintets… It is noticeable that the Berlin horn is less plummy than the Viennese,...

Mozart & Beethoven - Quintets for Piano & Winds

Stephen Hough (piano)

Berlin Philharmonic Wind Quintet

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Awards:

The combination of Stephen Hough and wind players from the BPO makes for sparkling performances of these two quintets… It is noticeable that the Berlin horn is less plummy than the Viennese,...

About

On this disc one of the world’s finest pianists encounters one of the world’s greatest wind quintets, performing two very special works: Mozart’s and Beethoven’s quintets for piano and winds. The unusual scoring has led these works to be performed less often than they deserve: indeed, in 1784 Mozart wrote about his work to his father Leopold stating ‘I myself consider it to be the best thing I have ever written’. Twelve years later, Beethoven composed his Quintet, which he also arranged for the standard piano quartet combination. Beethoven must have been familiar with Mozart’s work: the choice of the same key and the same formal structure (down to small details) cannot be purely coincidental.

Contents and tracklist

I. Largo - Allegro moderato
Track length10:21
II. Larghetto
Track length8:45
III. Allegretto
Track length5:55
Adagio
Track length4:46
Rondo. Allegro, alla breve (Arr. For piano quintet)
Track length7:06
I. Grave - Allegro ma non troppo
Track length12:19
II. Andante cantabile
Track length5:44
III. Rondo. Allegro ma non troppo
Track length5:51

Awards and reviews

July 2007

The combination of Stephen Hough and wind players from the BPO makes for sparkling performances of these two quintets… It is noticeable that the Berlin horn is less plummy than the Viennese, and in the slow movement of the Mozart Hough and his partners take a lighter view than their rivals, highlighting the tenderness. Hough and the Berliners also bring out the stylistic contrasts between Mozart and the youthful Beethoven, who expressly adopted the layout of the Mozart Quintet.
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