Great Operatic Arias 18 - Jennifer Larmore
Sung in English
Jennifer Larmore (mezzo-soprano), Susan Patterson (Gioconda), Colin Lee (Fernando), Ffleur Wyn (Ines), Susan Patterson (Norma)
Philharmonic Orchestra, David Parry
Awards:
-
BBC Music Magazine, May 2007, Opera Choice
Versatility is the key to mezzo Jennifer Larmore's success in this English-language programme, as it is in the opera house. …when one hears her in the waltz-song from Gounod's Romeo and Juliet,...
Great Operatic Arias 18 - Jennifer Larmore
Sung in English
Jennifer Larmore (mezzo-soprano), Susan Patterson (Gioconda), Colin Lee (Fernando), Ffleur Wyn (Ines), Susan Patterson (Norma)
Philharmonic Orchestra, David Parry
Purchase product
Awards:
-
BBC Music Magazine, May 2007, Opera Choice
Versatility is the key to mezzo Jennifer Larmore's success in this English-language programme, as it is in the opera house. …when one hears her in the waltz-song from Gounod's Romeo and Juliet,...
About
She presents her first operatic arias disc on Chandos Opera in English with a wide range of composers, performing works from Donizetti’s La favorita, Cilea’s Adriana Lecourvreur, Rossini’s Tancredi, Rienzi by Wagner, Romeo and Juliet by Gounod and Mozart’s Don Giovanni to name but a few! As well as solo arias she also performs a number of duets and is joined on the disc by Susan Patterson, Fflur Wyn and Colin Lee – all familiar names on the Chandos Opera in English label.
Contents and tracklist
- Jennifer Larmore, David Parry, Philharmonia Orchestra, Susan Patterson
- Jennifer Larmore, David Parry, Philharmonia Orchestra, Colin Lee, Fflur Wyn
- Jennifer Larmore, David Parry, Philharmonia Orchestra, Susan Patterson
Awards and reviews
-
BBC Music MagazineMay 2007Opera Choice
May 2007
Versatility is the key to mezzo Jennifer Larmore's success in this English-language programme, as it is in the opera house. …when one hears her in the waltz-song from Gounod's Romeo and Juliet, a coloratura soprano showpiece that goes too high for many sopranos' comfort, then one just has to take off one's hat.
July 2007
Track by track, Larmore's technical command and dramatic concentration are stunning. That Rienzi solo, for instance, is an immense undertaking, and everything - vocal range and expressive intensity for a start - is in the grand manner, indomitable and tireless.